Crime Films by Thomas Leitch
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Overview: This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private-eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, from Fury (1936) to Fargo (1996), Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim, and the avenger.
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