4 books by Edith Olivier
Requirements: Epub reader, 3.60 Mb
Overview: Edith Olivier (1872-1948) was born in the Rectory at Wilton, Wiltshire, in the late 1870s. Her father was Rector there and later Canon of Salisbury. She came from an old Huguenot family which had been living in England for several generations, and was one of a family of ten children. She was educated at home until she won a scholarship to St Hugh’s College, Oxford. Her first novel, The Love Child, was published in 1927 and there followed four works of fiction: As Far as Jane’s Grandmother’s (1928), The Triumphant Footman (1930), Dwarf’s Blood (1930) and The Seraphim Room (1932). Her works of non-fiction were The Eccentric Life of Alexander Cruden (1934), Mary Magdalen (1934), Country Moods and Tenses (1941), Four Victorian Ladies of Wiltshire (1945), Night Thoughts of a Country Landlady (1945), her autobiography, Without Knowing Mr. Walkley (1938) and, posthumously published, Wiltshire (1951).
Genre: General Fiction, Literature
Dwarf’s Blood
In "Dwarf’s Blood," Olivier has crafted a moral tale, reflecting the Victorian values of her upbringing while also incorporating a psychological study of her main character, Sir Nicholas Roxerby, who comes to England from Australia after inheriting the estate of Brokeyates from his great-uncle. Happy in his ancestral home, with the backing of his mother’s millions behind him, Nicholas marries into the local gentry and lives a satisfying life until the birth of his second child. Hans is full of persuasive charm and gifted genius, but to Nicholas’s horror carries the ‘dwarf’s blood’ of the title, and he cannot find it within himself to accept a child that brings with him the reminder of a family skeleton he would rather forget. In Nicholas’s eyes, Hans suffers in comparison to his elder sister Portia, who is tall, healthy and beautiful, despite being completely insensitive, overbearing and unloveable; and for Althea, his wife, the cold-hearted rejection of her son by his father ruptures her happiness. Though a vivid work of realism, "Dwarf’s Blood" incorporates a touch of the eeriness found within Olivier’s first work, "The Love Child," and was described as a masterpiece among contemporary novels upon first publication in 1931.
Night Thoughts of a Country Landlady
In this fascinating work, Edith Olivier explores the diaries left to her by her friend and neighbour, Miss Emma Nightingale. The account explores the arrival of both evacuees and soldiers to Miss Nightingale’s village after the outbreak of World War II. Her musings on acting as a boarding house during this time are vivid and appealing chronicles of both rural life in World War II, and the varied and engaging individuals who were involved in this great struggle. This is a record of the war as told through the people left behind in England to live their lives against its all-encompassing backdrop, and who did so with quiet contemplation and an overwhelming sense of hospitality.
The Love Child
At thirty-two, her mother dead, Agatha Bodenham finds herself quite alone. She summons back to life the only friend she ever knew, Clarissa, the dream companion of her childhood. At first Clarissa comes by night, and then by day, gathering substance in the warmth of Agatha’s obsessive love until it seems that others too can see her. See, but not touch, for Agatha has made her love child for herself alone. No man may approach her elfin creation of perfect beauty. If he does, the love which summoned her can spirit her away.
Wiltshire
Originally compiled by the near-blind Olivier in 1945-1946 and posthumously published three years after her death in 1951 by her niece Rosemary, Wiltshire is acknowledged as a credible early travel guide in which the county is truly brought to life.
In Wiltshire, Edith Olivier paints a vivid portrait of her beloved homeland, describing in minute detail its history, character, towns and villages, people, landscape, customs and traditions. Dating back to the time of the Saxon invasions through to the birth of a modern, pre-war Wiltshire, and covering such vast subjects as its royal entertainments, sports and leisure pursuits, dialect, architecture and the collections contained within its great country houses, Olivier clearly depicts the personality and landscape of Wiltshire.
Drawing on extensive research and containing entertaining anecdotes about famous historical figures travelling through the county, including Henry VIII and Shakespeare, as well as tales of highway robberies and early theories behind the origins of Stonehenge, Olivier has crafted a warm and informative account of a bygone era. Edith became mayor of Wilton in 1939 and her love of the place is clearly depicted in this great work.
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