4 Books by Craig Davidson
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Overview: Craig Davidson has written three other books: The Preserve (as Patrick Lestewka), Rust and Bone, and The Fighter. His nonfiction has appeared in Esquire, The Washington Post, Nerve, Salon, Real Fighter, The London Observer, and elsewhere. Currently, he’s hanging his hat in Fredericton, New Brunswick, where he is the deputy editor of an alt-urban weekly. His style has been compared to that of Chuck Palahniuk…
Genre: General Ficion/Classics
Cataract City: Owen and Duncan are childhood friends who’ve grown up in picturesque Niagara Falls–known to them by the grittier name Cataract City. As the two know well, there’s more to the bordertown than meets the eye: behind the gaudy storefronts and sidewalk vendors, past the hawkers of tourist T-shirts and cheap souvenirs live the real people who scrape together a living by toiling at the Bisk, the local cookie factory. And then there are the truly desperate, those who find themselves drawn to the borderline and a world of dog-racing, bare-knuckle fighting, and night-time smuggling.
Owen and Duncan think they are different: both dream of escape, a longing made more urgent by a near-death incident in childhood that sealed their bond. But in adulthood their paths diverge, and as Duncan, the less privileged, falls deep into the town’s underworld, he and Owen become reluctant adversaries at opposite ends of the law. At stake is not only survival and escape, but a lifelong friendship that can only be broken at an unthinkable price.
Rust and Bone: In steel-tipped prose, Craig Davidson conjures a savage world populated by fighting dogs, prizefighters, sex addicts, gamblers, a repo man and a disappearing magician. The title of the lead story, "28 Bones", refers to the number of bones in a boxer’s hands; once broken, they never heal properly, and the fighter’s career descends to bouts that have less to do with sport than with survival: no referee, no rules, not even gloves. In "A Mean Utility" we enter an even more desperate arena: dogfights where Rottweilers, pit bulls and Dobermans fight each other to the death. Davidson’s stories are small monuments to the telling detail. The hostility of his fictional universe is tempered by the humanity he invests in his characters and by his subtle and very moving observations of their motivation. In the tradition of Hemingway, "Rust and Bone" explores violence, masculinity and life on the margins. Visceral and with a dark urgency, this is a truly original debut.
Sarah Court: Sarah Court. Meet the residents . . . The haunted father of a washed-up stuntman. A disgraced surgeon and his son, a broken-down boxer. A father set on permanent self-destruct, and his daughter, a reluctant powerlifter. A fireworks-maker and his daughter. A very peculiar boy and his equally peculiar adopted family. Five houses. Five families. One block. Ask yourself: How well do you know your neighbours? How well do you know your own family? Ultimately, how well do you know yourself? How deeply do the threads of your own life entwine with those around you? Do you ever really know how tightly those threads are knotted? Do you want to know? I know, and can show you. Please, let me show you. Welcome to Sarah Court: make yourself at home.
The Fighter: Two young men heading in opposite directions find their destinies linked by violence in Davidson’s dripping-with-testosterone debut novel (following story collection Rust and Bone). After he gets beat up at a bar, Paul Harris questions his coddled, trouble-free life and embraces obsessive workout routines and steroids before finding boxing, the perfect outlet for his newfound rage. Meanwhile, 16-year-old Rob Tully is a boxing star in training on the path to a Golden Gloves tournament. Paul seeks to embrace his new self through the grandeur and punishment of boxing, while Rob struggles to find himself by escaping from that very same world. Their paths cross when Paul fights Rob’s uncle in an underground match, and odds-on loser Paul wins, at a big price. Davidson’s writing is terse, coarse and fluid in descriptions of exposed viscera, splattered blood and broken bones. There’s an unmistakable Palahniuk influence at work.
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