Valentino Mystery series by Loren D. Estleman (#1-3)
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Overview: Loren D. Estleman graduated from Eastern Michigan University in 1974 with a Bachelor of Arts degree in English Literature and Journalism. In 2002 his alma mater presented him with an honorary doctorate in letters. He left the job market in 1980 to write full time. His first novel was published in 1976, and has been followed by more than 70 books and hundreds of short stories and articles. His series include novels about Detroit detective Amos Walker, professional killer Peter Macklin, L.A. film detective and amateur sleuth Valentino, and the Detroit crime series. On the western side is the U.S. Deputy Marshal Page Murdock series. Additionally, he’s written dozens of stand-alone novels. He lives in Michigan and is married to writer Deborah Morgan
Genre: Fiction > Fiction > Mystery/Thriller
1. Frames
Valentino is a mild-mannered UCLA film archivist. In the surreal world of Hollywood filmdom, truth is often stranger than celluloid fiction. When Valentino buys a decrepit movie palace and uncovers a skeleton in the secret Prohibition basement, he’s not really surprised. But he’s staggered by a second discovery: long-lost, priceless reels of film—Erich von Stroheim’s infamous Greed.
The LAPD wants to take the reels as evidence, jeopardizing the precious old film. If Valentino wants to save his find, he has only one choice—solve the murder within 72 hours with the help of his mentor, the noted film scholar Broadhead, and Fanta, a feisty, if slightly flaky, young law student.
Between a budding romance with a beautiful forensics investigator and visions of Von Stroheim’s ghost, Valentino’s madcap race to save the flick is as fast and frenetic as a classic screwball comedy, with a quirky cast of characters and smart dialogue.
2. Alone
Valentino wants to keep The Oracle, his beloved run-down movie palace, from being condemned before it even reopens, but murder keeps intruding into his otherwise quiet life. At a gala party held in memory of screen legend Greta Garbo, he’s having fun until the host, a hotshot developer named Matthew Rankin, tells Valentino about a certain letter from Garbo to his late wife. She and Garbo had been…close.
Such a letter is of great interest to a film archivist like Valentino, but the the plot thickens when Rankin tells Val that his assistant, Akers, is using this letter to blackmail him. Val is appalled by the thought of blackmail—but that letter sounds juicier all the time. Returning to Rankin’s mansion after the party, Val finds Rankin sitting at his desk with a pistol in his hand, looking at Akers’ dead body on the floor.
Valentino’s in a quandary. He’d love to see that letter, but he can’t. He’s gotten his girlfriend—who works for the police—in trouble, so his love life is, pardon the expression, shot to hell. Worse yet, the building inspector has kicked him out of his unfinished living space in the Oracle, so he takes his life in his hands and moves in with his eccentric mentor, the elderly, insomniac Professor Broadhead. No love, no sleep, no letter—life isn’t fair!
3. Alive!
Everyone knows the Frankenstein monster was played by Boris Karloff. His portrayal is so famous that the play Arsenic and Old Lace was filled with Karloff/monster jokes—even when the part of the monstrously deformed villain was played by another actor. But before Karloff’s memorable portrayal, another famous 1930s Hollywood icon, Bela Lugosi, tested for the part of the monster.
The screen test footage was lost for decades, until Valentino, that never-say-die film archivist, gets a hot tip about the whereabouts of the incriminating (for really bad, heavily accented acting) footage. But it comes with a price far greater than the money he’ll have to pay. Someone would kill to get that reel of film, and that makes Valentino a mortal obstacle who would rather not die for art. People have already been murdered for the film, and Val doesn’t want to push his luck—but, boy, that reel is too good to let go.
Enter a crew of steampunk fans. Loving the arcane strangeness that is Valentino’s life—not to mention the completely glam prospect of seeing the original filmic Count Dracula as the Frankenstein monster—they will find a way to save Valentino and Lugosi’s infamous screen test. Or if they can’t do that, have a great party anyway. Val just hopes it’s not a wake.
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