Requirements: ePUB Reader, 7.6MB | Retail
Overview: Baron Birtcher is the LA TIMES and IMBA BESTSELLING author of the hardboiled Mike Travis series (Roadhouse Blues, Ruby Tuesday, Angels Fall, and Hard Latitudes), the award-winning Ty Dawson series (South California Purples, Fistful Of Rain, and Reckoning), as well as the critically-lauded stand-alone, RAIN DOGS.
Baron is a five-time winner of the SILVER FALCHION AWARD, and the WINNER of 2018’s Killer Nashville READERS CHOICE AWARD, as well as 2019’s BEST BOOK OF THE YEAR for Fistful Of Rain.
He has also had the honor of having been named a finalist for the NERO AWARD, the LEFTY AWARD, the FOREWORD INDIE AWARD, the 2016 BEST BOOK AWARD, the Pacific Northwest’s regional SPOTTED OWL AWARD, and the CLAYMORE AWARD.
Genre: Fiction > Mystery /Thriller
#3 – Reckoning
As lawman, rancher, and Korean War veteran, Ty Dawson has his share of problems in the southern Oregon county he calls home. Despite how rural it is, Meriwether can’t keep modernity at bay. The 1970s have changed the United States—and Meriwether won’t be spared.
A standoff looms when the US Fish & Wildlife Service seeks to separate longtime cattleman KC Sheridan from his water supply—ensuring the death of his livestock. If that’s not enough trouble, a Portland detective is found dead in a fly-fishing resort cabin. Though the Portland police, including the victim’s own partner, are eager to write off the tragedy as a suicide, Ty has his own thoughts on the matter—as well as evidence that points to murder. His suspicions soon mire him in a swamp of corruption that threatens nearly everyone around him. Turns out that greed and evil are contagious—and they take down men both great and small . . .
#4 – Knife River
There are rules in the West no matter what era you were born in, and it’s up to lawman Ty Dawson to make sure they’re followed in the valley he calls home. The people living on this unforgiving land keep to themselves and are wary of the modern world’s encroachment into their quiet lives.
So it’s not without some suspicion that Dawson confronts a newcomer to the region: a record producer who has built a music studio in an isolated compound. His latest project is a collaboration with a famous young rock star named Ian Swann, recording and filming his sessions for a movie. An amphitheater for a live show is being built on the land, giving Dawson flashbacks to the violent Altamont concert. Not on his watch. But even beefed up security can’t stop a disaster that’s been over a decade in the making. All it takes is one horrific case bleeding its way into the present to prove that the good ol’ days spawned a brand of evil no one wants to revisit . . .
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