The Finder Chronicles (Dramatized Adaptation) by Suzanne Palmer (1-2)
Requirements: .MP3 reader, 978.5 MB / 995.6 MB
Overview: Suzanne Palmer is an award-winning and acclaimed writer of science fiction. In 2018, she won a Hugo Award for Best Novelette for “The Secret Life of Bots”. Her short fiction has won readers’ awards for Asimov’s, Analog, and Interzone magazines, and has been included in the Locus Recommended Reading List. Her work has also been features in numerous anthologies, and she has twice been a finalist for the Theodore Sturgeon Memorial Award and once for the Eugie M. Foster Memorial Award. Palmer has a Fine Arts degree from the University of Massachusetts at Amherst, where as a student she was president and head librarian of the UMass Science Fiction Society. She currently lives in western Massachusetts and is a Linux and database system administrator at Smith College.
Genre: Audiobooks > Fiction
1. Finder:
Fergus Ferguson, repo-man, has one job: find the spacecraft Venetia’s Sword and steal it back from Arum Gilger, ex-nobleman turned power-hungry trade boss. Finding Gilger in the farthest corner of human-inhabited space, a gas-giant harvesting colony called Cernee, was easy. The hard part will be getting past a field of space mines, hacking into the Sword’s compromised AI, and fighting a crew of hostile enemies to take control of the ship.
But when a cable car explosion launches Cernee into a civil war, Fergus finds himself caught in the crosshairs. Repossessing the Sword requires him to side with Gilger’s enemies, risk death, and get abducted by aliens. Fergus must learn to set aside his pride – and confront a past he’s been running from his whole life – in order to take back the Sword and simultaneously save Cernee from destruction.
2. Driving the Deep:
As a professional finder, Fergus Ferguson is hired to locate missing objects and steal them back. But it is rarely so simple, especially after his latest job in Cernee. He’s been recovering from that experience in the company of friends, the Shipmakers of Pluto, experts at crafting top-of-the-line AI spaceships.
The Shipmakers have convinced Fergus to finally deal with unfinished business he’s been avoiding for half his life: Earth. Fergus hasn’t been back to his homeworld since he was fifteen, when he stole his cousin’s motorcycle and ran away. It was his first theft, and nothing he’s stolen since has been anywhere near so easy, or weighed so heavily on his conscience. Many years and many jobs later, Fergus reluctantly agrees that now is the time to return the motorcycle and face his family.
Unfortunately, someone has gotten to the motorcycle before him. And before he can figure out where it went and why the storage unit that held it is now filled with priceless, stolen art, the Shipyard is attacked. His friends are missing, presumably kidnapped.
Accompanied by an untrustworthy detective who suspects Fergus is the art thief and the sole friend who escaped the attack, Fergus must follow the tenuous clues to locate and save his friends. The trail leads them to Enceladus, where Fergus plans to go undercover to the research stations that lie beneath the moon’s thick ice sheet deep in a dark, oppressive ocean.
But all movement and personnel are watched, and the limited ways through the thick ice of the moon’s surface are dangerous and highly monitored. Even if Fergus can manage to find proof that his friends are there and alive, getting out again is going to be a lot more complicated than he bargained for.
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