The Culture Series by Iain Banks
Requirements: .mobi reader, 5 MB
Overview: Iain Banks (1954–2013) was a Scottish writer. He wrote mainstream fiction under the name Iain Banks, and science fiction as Iain M. Banks, including the initial of his adopted middle name Menzies. Following the publication and success of The Wasp Factory (1984), Banks began to write on a full-time basis. His first science fiction book, Consider Phlebas, was released in 1987, marking the start of the popular The Culture series. His books have also been adapted for theater, radio and television. In 2008, The Times named Banks in their list of "The 50 greatest British writers since 1945". In April 2013, Banks announced that he had inoperable cancer and was unlikely to live beyond a year. His death was announced on 9 June 2013.
Genre: Fiction, Sci-Fi
Consider Phlebas (1987)
The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction; coldblooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principals were at stake. There could be no surrender. Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, actually to find it, and with it their own destruction.
Consider Phlebas – a space opera of stunning power and awesome imagination from one of the most talented writers of his generation.
The Player of Games (1988)
Gurgeh, a champion game player, travels a hundred thousand light years to the Empire of Azad, where the winner of their complex game becomes emperor.
The State Of The Art (1989)
A short story collection. Two of the works are explicitly set in the Culture universe ("The State of the Art" and "A Gift from the Culture"), with a third work ("Descendant") possibly set in the Culture universe. In the title novella, the Mind in charge of an expedition to Earth decides not to make contact or intervene in any way, but instead to use Earth as a control group in the Culture’s long-term comparison of intervention and non-interference.
Use of Weapons (1990)
Cheradenine is an ex-"special circumstance" agent who had been raised to eminence by a woman named Diziet. Skaffen-Amtskaw, the drone, had saved her life and it believes Cheradenine to be a burnt-out case. But not even its machine intelligence can see the horrors in his past.
Excession (1996)
Two and a half millennia ago, the artifact appeared in a remote corner of space, beside a trillion-year- old dying sun from a different universe. It was a perfect black-body sphere, and it did nothing. Then it disappeared. Now it is back.
Silent, motionless, and resisting all efforts to make contact, the artifact waits. The Culture ships, however, cannot. For the artifact is something they need to understand first, before it falls into less understanding hands – and triggers a political and military crisis which will threaten everything the Culture has achieved.
One person who saw the artifact when it first appeared may have information concerning its purpose, but she is living out her death in the immense Eccentric ship, the Sleeper Service. The Culture ships formulate a plan to retrieve her. The Sleeper Service has other things on its mind.
Inversions (1998)
Some years ago, rocks and fire fell from the sky and the old Empire fell with them. In the lands released from that crushing hegemony, a new world order is about to emerge. Two people in particular can see all this in a wider context. In the winter palace, the King’s new physician has more enemies than she at first realises. But then she also has more remedies to hand than those who wish her ill can know about. In another palace across the mountains, in the service of the regicidal Protector General, the chief bodyguard too has his enemies. But his enemies strike more swiftly, and his means of combating them are more traditional. Both the doctor and the bodyguard have at least one person they care for deeply and who cares for them. None of them, however, can risk saying so. This is the story of two stories. Spiralling round a central core of secrecy, deceit, love and betrayal – and linked more closely than even those involved can know – each climbs to its own devastating climax.
Look to Windward (2000)
It was one of the less glorious incidents of the Idiran wars that led to the destruction of two suns and the billions of lives they supported. Now, 800 years later, the light from the first of those deaths has reached the Culture’s Masaq’ Orbital. A Chelgrian emissary is dispatched to the Culture.
Matter (2008)
The Culture is a far-future society of seemingly limitless resources and infinite technological possibilities. Yet the Culture is far from perfect, and it is still subject to brutal wars, political upheaval and intrusions from beyond the edges of known space. With extraordinary imaginative scope and storytelling prowess, Iain M. Banks’ new Culture novel will be one of the most highly anticipated SF novels of the year.
Note: The two most recent entries in the series, Surface Detail (2010) and The Hydrogen Sonata (2012), are not included in this post.
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