The Crimson Chalice Trilogy by Victor Canning (#1-2)
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Overview: Victor Canning was a prolific writer of novels and thrillers who flourished in the 1950s, ’60s and ’70s, but whose reputation has faded since his death in 1986. He was personally reticent, writing no memoirs and giving relatively few newspaper interviews.
Genre: Genre Fiction, Historical
#1 – The Crimson Chalice
Another reworking of the Arthurian legend, but so bereft of Arthurian resonance that it might have worked better as an unvarnished or unvarnished historical novel of the Roman twilight in Britain. As the Saxon pillagers sweep ever farther west, young Baradoc, Roman army veteran & son of a British tribal chief, meets Tia, a Roman girl fleeing the troubles. Their son Arturo, a child hugely endowed with wildness, blarney & arrogance, grows up to inherit his father’s dream of uniting Britain against the Saxons. The story is chiefly concerned with the slow building of his campaign, from his early rebellion against the delaying tactics of the anti-Saxon forces to the great victory of Mt Badon. Like many imaginers of an earlier Britain, Canning is best when describing the wild countryside & the homely skills of its inhabitants. His attempts to graft this material onto the Grail legend are effortful platitudes. Merlin appears & disappears at climactic moments, saying things like "Only the gods know that." Speeches are peppered with ritual interjections of "Aie…" to indicate deep thought. People look at each other & instinctively know something, or undergo some tremendous change "from that moment"…Canning’s Arturo does occasionally come to life during his stormy childhood in the Tribe of the Enduring Crow; once he is grown, one feels that Canning, like Sir Bedivere, has lost sight of the barge.–Kirkus
#2 – The Circle of the Gods
The Crimson Chalice trilogy, first published between 1976 and 1978, is Victor Canning’s classic retelling of the story of King Arthur. Beginning with the story of his parents, Tia and Baradoc, Canning weaves elements of the Grail myth into a Fifth century setting; a Britain abandoned by the Romans, and gradually descending into tribal conflict. In the second book of the trilogy, The Circle of the Gods, young Arturo, with an unshakeable sense of destiny, establishes a comitatus, a gathering of companions, which will one day grow into an army under the banner of the white horse. In the closing book, The Immortal Wound, Arturo’s story concludes as he ascends to become high king of Britain. Throughout the story, the ever present Merlin appears to guide Arturo, as he fulfils his destiny, alongside the familiar characters of Arthurian legend.
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