Rushmore McKenzie series (#1-7,10,12) by David Housewright
Requirements: .ePUB reader, 3 mb
Overview: A past president of the Private Eye Writers of America, David Housewright has published 25 crimes novels including WhatDoesn’t Kill Us (May 2021 St. Martin’s Minotaur) and has contributed short stories to 15 anthologies and other publications. He has earned an Edgar Award from the Mystery Writers of America, a Shamus nomination from the PWA, and three Minnesota Books Awards. A reformed newspaper reporter and ad man, he has also taught writing courses at the University of Minnesota and Loft Literary Center in Minneapolis. His name and face were recently added to “Minnesota Writers on the Map” by the Minnesota Historical Society and Friends of the St. Paul Public Library.
Genre: Fiction > Mystery/Thriller
A Hard Ticket Home (#1) Ex-St. Paul cop Rushmore McKenzie has more time, and more money, than he knows what to do with. In fact, when he’s willing to admit it to himself (and he usually isn’t), Mac is downright bored. Until he decides to do a favor for a friend facing a family tragedy: Nine-year-old Stacy Carlson has been diagnosed with leukemia, and the only one with the matching bone marrow that can save her is her older sister, Jamie. Trouble is, Jamie ran away from home years ago.
Mac begins combing the backstreets of the Twin Cities, tracking down Jamie’s last known associates. He starts with the expected pimps and drug dealers, but the path leads surprisingly to some of the Cities’ most respected businessmen, as well as a few characters far more unsavory than the street hustlers he anticipated. As bullets fly and bodies drop, Mac persists, only to find that what he’s looking for, and why, are not exactly what he’d imagined.
Tin City (#2) Mac McKenzie is rich. So rich that he’s left his job as a Twin Cities police officer and spends his time doing favors large and small for friends. So when an old Marine buddy of his father’s calls with a request Mac takes the time to help him out. And it is one of the stranger favors he’s ever been asked: the elderly Mr. Mosley, a beekeeper, wants Mac to find out why his bees are suddenly dying in droves.
Mac does some digging and before long turns up a hornet’s nest of trouble in the person of Frank Crosetti, a new neighbor on the property abutting Mosley’s bees. What started out as an innocent investigation into some unregulated pesticide quickly turns lethal. Crosetti sticks around long enough to make some very specific threats, then disappears into the wind leaving behind a vicious rape, a lifeless body, and a very angry McKenzie bursting for someone to blame.
With only the faintest of trails to follow and a suspicious group of federal agents gunning for him, Mac dives underground, taking only a stash of cash and a small arsenal with him on his undercover mission. Before long Mac’s deep in the forgotten corners of Minneapolis sniffing for any sign of Crosetti, unable to rest until he gets results.
Pretty Girl Gone (#3) Rushmore "Mac" McKenzie has a lot of old girlfriends, but only one went on to marry the current governor of the state of Minnesota. And only one is calling him with a desperate request to meet in secret. First Lady Lindsay Barrett is carrying an anonymous e-mail that contains the makings of an ugly rumor about her husband, the man about to run for higher office—-perhaps even the highest office. Someone says they have evidence that Jack Barrett killed his high school sweetheart. Lindsay says it’s an outright lie, but the truth lies buried decades in the past in the small town where the governor grew up.
Of course, Mac, who’s richer than he needs to be and always has plenty of time on his hands, is in the business of handling such matters for his friends. So he packs up and drives straight into the governor’s past with the brilliantly conceived plan to poke around and see if he can stir up a little information. He’s soon got goons of all sorts poking him back, including a nasty little group of political movers and shakers who aren’t above kidnapping and murder to protect their interests. It’s clear that his little plan has stirred up nothing but trouble.
With no choice but to stick to it, he continues shifting through a complex web of interlocking secrets and lies, some decades old and some rooted violently in the present day. It’s up to Mac to sort truth from untruth before a vicious rumor becomes a political nightmare—-or worse, before the "outright lie" is proved a solid, irrefutable fact.
Dead Boyfriends (#4) Right up until they put him in jail, McKenzie thought the cops were kidding. After all, he did them a favor by stopping a rookie cop from roughing up a distraught woman at a murder scene. But the next thing Mac knows he’s in jail, missing an important date with his girlfriend and reliving nightmares he thought he’d finally left behind – and he’s vowing payback for all of it. If that means sticking his nose into a crime investigation, well, he’s done it before.
Only, what appears to be a straightforward case of a cheating boyfriend, his alcoholic girlfriend and an opportune baseball bat proves far more complicated than the police are willing to accept. More disconcerting, as he investigates, Mac finds himself again fighting the influence of a shadowy figure who controls more of what goes on in the Twin Cities than a rational voter would believe. And then there are the unidentified thugs who kill a witness and rough up him and his female lawyer-ally. Soon Mac realizes that the truth of this sordid crime may be as hard to find – and as hard to live with – as the justice he seeks.
Madman on a Drum (#5) Homicide cop Bobby Dunston’s daughter has been kidnapped, taken in broad daylight on a city street in the middle of September. The kidnappers demand a million dollars and force Dunston to get the ransom from his friend Mac McKenzie. It soon becomes apparent to the two of them that one of the kidnappers is childhood pal Scottie, a once aspiring drummer now gone astray, and that the kidnapping is payback for "crimes" committed in their past.
McKenzie, former cop and now unlicensed P.I., handles the ransom drop-off and the child is returned safely. But Scottie is found dead—brutally murdered—and someone has taken out an open contract on McKenzie, using his own money to pay for it. Dodging attempts on his life from assassins of all shapes and sizes, McKenzie now has precious little time to uncover the mastermind behind it all if he’s going to survive.
Jelly’s Gold (#6) Rushmore McKenzie, a retired St. Paul policeman and unexpected millionaire, often works as an unlicensed P.I., doing favors as it suits him. When graduate students Ivy Flynn and Josh Berglund show up with a story about $8 million in missing stolen gold from the ‘30s, McKenzie is intrigued.
In the early 20th century, St. Paul, Minnesota was an open city —a place where gangsters could come and stay unmolested by the local authorities. Frank “Jelly” Nash was suspected of masterminding a daring robbery of gold bars in 1933, but, before he could unload it, he was killed in the Kansas City Massacre. His gold, they believe, is still somewhere in St. Paul.
But they aren’t the only ones looking. So are a couple of two-bit thugs, a woman named Heavenly, a local big-wig, and others. When Berglund is shot dead outside of Ivy’s apartment, the treasure hunt turns unexpectedly deadly. McKenzie is looking for more than a legendary stash from seventy-five years ago, he’s looking for a killer and the long hidden truth behind Jelly’s gold.
The Taking of Libbie, SD (#7) In David Housewright’s The Taking of Libbie, SD, a grifter cons an entire town using Mac McKenzie’s name, leaving the real McKenzie facing an angry town with nothing left to lose. Rushmore McKenzie is a retired cop, an unexpected millionaire, and an occasional unlicensed private investigator. So, it isn’t the biggest surprise in the world when he’s attacked and kidnapped from his home—McKenzie has more than a few enemies out there with a grudge against him. But it is a surprise when it turns out his kidnapping is a case of mistaken identity.
McKenzie was taken to the small plains town of Libbie, South Dakota which just lost pretty much everything it had to a con man using McKenzie’s name. Using a scam involving a new shopping mall, the grifter apparently stole all the money electronically from the bank then disappeared, leaving behind a devastated town full of people with many reasons to hate him. To that list of enemies, he’s just added McKenzie who is now determined to help the devastated townspeople, as well as catch and punish the weasel besmirching his reputation.
The Last Kind Word (#10) Rushmore McKenzie agrees to go undercover to help the ATF track a cache of stolen guns–after all, what could possible go wrong?
Rushmore McKenzie is both a millionaire and an unlicensed PI, which means he can afford to do the occasional favor and, as a former detective for the St. Paul (Minnesota) Police Department, he’s got the necessary skills and connections to do them right. But this time, he’s really stepped in it.
When the ATF gets a lead on a much sought-after cache of illegal guns near the Canadian border, they call McKenzie in to help them track down the elusive gunrunners. Their only lead is a guy who is part of a small-time gang of armed robbers working north of the Twin Cities. Their idea is for McKenzie to infiltrate the group and wait for them to lead him to the guns. Their plan is to fix McKenzie with a false identity as a serious bad guy and then fake an escape with the captured gang member. Which seemed like a bad idea to McKenzie at the time, but even he had no idea just how bad things were going to get.
Unidentified Woman #15 (#12) During one of the first heavy snows of the winter, on the Interstate outside the Twin Cities, Rushmore McKenzie is behind a truck behaving erratically when the man in the truck bed dumps a body out onto the road, right in front of McKenzie’s car. McKenzie avoids hitting the body, a bound woman who is just barely alive, but his stopped car in the middle of the road starts a chain of accidents, resulting in a thirty-seven car pile-up. By the time the time the police arrive, and the EMTs and ambulances have taken care of the immediate injuries, the truck is long gone.
The injured woman awakens with no memories–not of the accident, not of anything–and is labeled by the police as Unidentified Woman #15. With few leads, the detective in charge, McKenzie’s former partner and old friend Bobby Dunston, turns to McKenzie for a favor. Now McKenzie has to try to identify the grievously injured woman, find out who tied her up and dumped on the freeway to die. And why.
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