Naming Jhumpa Lahiri: Canons and Controversies by Lavina Dhingra, Floyd Cheung
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Overview: Jhumpa Lahiri is among the few contemporary writers being read widely by both mainstream and minority audiences, the general public and academic scholars, in the U.S. and globally. While her works focus on specific ethnic experiences of highly educated, upper middle-class professional Bengalis and their children living in New England since the 1970s, they simultaneously address universal themes that consistently keep them on the New York Times bestseller lists, and that have made the film adaptation of her novel, The Namesake (2006), into a transnational phenomenon. Lahiri is also one of the first South Asian American writers to be included in the Heath Anthology of American Literature.
Even though South Asian diasporic writers have won many prestigious international prizes, the meteoric success of Jhumpa Lahiri has raised new questions regarding her naming: Is she a Bengali American writer? An Asian American writer? An Indian writer? An American writer? A postcolonial writer? Does what we name her matter? Does this naming determine whether, and how, and by whom Lahiri’s texts are read and taught, and to which literary canons they belong? Why is Lahiri’s writing so successful among multiple audiences, whether in Bengal, Boston, or beyond?
Genre: Non-Fiction > General
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