Molloy by Samuel Beckett, Sean Barrett, Dermot Crowley (The Trilogy #1)
Requirements: .MP3 reader, 350MB
Overview: Molloy was written by Samuel Beckett initially in French, only later translating it into English. It was published shortly after World War II and marked a new, mature writing style which was to dominate the remainder of his working life. Molloy is divided into two sections. In the first section, Molloy goes in search of his mother. In the second, he is pursued by Moran, an agent. Within this simple outline, spoken in the first person, is a remarkable novel, raising questions of being and aloneness that marks so much of Beckett’s work, but richly comic as well. Beautifully written, it is one of the masterpieces of Irish literature. This is the world premiere recording. Written by a master dramatist, it is ideally suited to the audiobook medium.
Hearing this, you at once realise Beckett’s crisp prose is ideally suited to the audiobook medium. In first person narration we hear Molloy is first seeking his mother, then, in the second section, being pursued himself by Moran, a private detective. Yes, we are on familiar Beckett territory, yet this early work raises not only questions of being and aloneness – it is also richly comical. A great introduction to Beckett before venturing into his later, darker works. — Bukowski on Bukowski zine
Samuel Beckett was born in Ireland in 1906. His plays Waiting for Godot and Endgame revolutionized modern theater, and his trilogy Molloy, Mallone Dies, and The Unnamable ranks among the major works of twentieth century fiction. He died in Paris in 1989.
Tempted to put down Beckett’s novel as unreadable? Just two separate monologues, with little or no apparent connection today? Don’t be too hasty. In print the two monologues are hard to connect, it’s true. Molloy, a homeless derelict in search of his mother, narrates Part I, while Moran, a pretentious, outwardly devout prig, seeks Molloy himself in Part II. Sean Barrett and Dermot Crowley each read separate parts, and, oddly, these two skilled actors hold the book together remarkably well. Though the connection between the two monologues is thin, each is richly nuanced with Beckett’s sometimes dark, sometimes ribald humor. The distinct readings lend the book a dramatic presence, playfully yet skillfully rendering all the characters to illuminate Beckett’s irony. So while in print it seems dark, even absurd, in audio this work takes on the full richness of comedy, probably as Beckett, preeminently a dramatist, intended.
Genre: Audiobooks > Fiction
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