Medieval Knights series (#3-5) by Claudia Dain
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Overview: It was while writing a descriptive essay in seventh grade English (that was the assignment, to write a ‘descriptive essay’) that Claudia first fell in love. With descriptive essays. Boys being what they are in seventh grade, there was hardly much choice.
By her ninth grade year, Claudia was spending hours each week in her bedroom writing descriptive essays that heavily featured older boys (eleventh grade). She also practiced her kissing technique on a pole lamp next to her bed. It was less than satisfactory, but the writing was fun.
Genre: Fiction > Romance > Historical
The Willing Wife (Medieval Knights #3):
Husband #5 – She was a wife most willing — Four previous arranged marriages had taught Nicolaa the necessity of allowing a strange man access to her bed, her body. Now King Henry had gifted her with yet another new husband. Would he be overeager, undersized or just plain underfoot, as she had found the males before him?
She was a bride most eager — Anxious even to get the bedding over and done with. Rowland had expected a timid girl in need of gentle wooing. What he found was an experienced lover whose obvious indifference to his romantic legend challenged him to wring a response–any response–out of her disturbingly tempting body.
She was a woman most unready–Nothing had prepared Nicolaa for a mate who actually meant to stay, a companion who really wanted to know her thoughts, a bed partner who shockingly sought to bring her pleasure. Could it be that she had finally found a man capable of love?
The Temptation (Medieval Knights #4):
England, 1158. Elsbeth longs for the quiet prayerful life of the convent. She has no desire to be a bride or a mother, no longing for the things of this world, but she is a woman and a woman must obey the will of men: king, father, husband, priest. Men rule her life. But if she can prove herself obedient enough, then she might trade obedience now for the convent later. It is this faint promise her father holds out to her when he arranges her marriage to Hugh of Jerusalem, and it is a hope Hugh holds out to her as their vows are said. Hugh, a golden knight from a golden land, tempts her to believe. Hugh must marry. It is the only way he can attain what he wants. He is a man of the Levant, a man from God’s own city. He will do all he can to keep Elsbeth from harm, yet he must get what he wants from her. Elsbeth, even on her knees in prayer, has no defenses against Hugh. This is a man determined to lead her into temptation.
The Fall (Medieval Knights #5):
England, 1165. Juliane: they call her Lady of Frost. Though she is beautiful beyond description, she turns men cold and they wither under her gaze. She was once married, but her husband could not rise to do his manly deed, and so the marriage was annulled. She has remained unmoved and untouched since that day.
Ulrich of Caen, a knight loose upon the Earth, searching for a place upon it, searching for a home and a wife with nothing but a name for seduction to bring to the marriage bond. It is not enough to win him a wife. Unless that wife be a woman who can turn aside all seductions and render a man empty of passion.
It is upon this ground they meet, one legend against another. Romance was a game to them, a subject of wagers and taunts, and nothing could come of it. He had no land to give a woman. She had no warmth to give a man.
But in their games of seduction and mockery, Juliane fears she is close to falling in love, and falling in love is the most dangerous thing a woman can do.
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