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Overview: Ken Bruen, born in Galway in 1951, is the author of The Guards (2001), the highly acclaimed first Jack Taylor novel. He spent twenty-five years as an English teacher in Africa, Japan, S.E. Asia and South America. His novel Her Last Call to Louis Mac Niece (1997) is in production for Pilgrim Pictures, his "White Trilogy" has been bought by Channel 4, and The Guards is to be filmed in Ireland by De Facto Films.
Genre: Fiction > Mystery/Thriller > Crime > Detective > Noir > Ireland
The Guards (Jack Taylor #1):
Still stinging from his unceremonious ouster from the Garda Síochána—the Guards, Ireland’s police force—and staring at the world through the smoky bottom of his beer mug, Jack Taylor is stuck in Galway with nothing to look forward to. In his sober moments Jack aspires to become Ireland’s best private investigator, not to mention its first—Irish history, full of betrayal and espionage, discourages any profession so closely related to informing. But in truth Jack is teetering on the brink of his life’s sharpest edges, his memories of the past cutting deep into his soul and his prospects for the future non-existent.
Non-existent, that is, until a dazzling woman walks into the bar with a strange request and a rumor about Jack’s talent for finding things. Odds are he won’t be able to climb off his barstool long enough to get involved with his radiant new client, but when he surprises himself by getting hired, Jack has little idea of what he’s getting into.
The Killing Of The Tinkers (Jack Taylor #2):
When Jack Taylor blew town at the end of The Guards his alcoholism was a distant memory and sober dreams of a new life in London were shining in his eyes. In the opening pages of The Killing of the Tinkers, Jack’s back in Galway a year later with a new leather jacket on his back, a pack of smokes in his pocket, a few grams of coke in his waistband, and a pint of Guinness on his mind. So much for new beginnings.
Before long he’s sunk into his old patterns, lifting his head from the bar only every few days, appraising his surroundings for mere minutes and then descending deep into the alcoholic, drug-induced fugue he prefers to the real world. But a big gypsy walks into the bar one day during a moment of Jack’s clarity and changes all that with a simple request. Jack knows the look in this man’s eyes, a look of hopelessness mixed with resolve topped off with a quietly simmering rage; he’s seen it in the mirror. Recognizing a kindred soul, Jack agrees to help him, knowing but not admitting that getting involved is going to lead to more bad than good. But in Jack Taylor’s world bad and good are part and parcel of the same lost cause, and besides, no one ever accused Jack of having good sense.
The Magdalen Martyrs (Jack Taylor #3):
Jack Taylor is walking the delicate edge of a sobriety he doesn’t trust when his phone rings. He’s in debt to a Galway tough named Bill Cassell, what the locals call a "hard man." Bill did Jack a big favor a while back; the trouble is, he never lets a favour go unreturned.
Jack is amazed when Cassell simply asks him to track down a woman, now either dead or very old, who long ago helped his mother escape from the notorious Magdalen laundry, where young wayward girls were imprisoned and abused. Jack doesn’t like the odds of finding the woman, but counts himself lucky that the task is at least on the right side of the law.
Until he spends a few days spinning his wheels and is dragged in front of Cassell for a quick reminder of his priorities. Bill’s goons do a little spinning of their own, playing a game of Russian roulette a little too close to the back of Jack’s head. It’s only blind luck and the mercy of a god he no longer trusts that land Jack back on the street rather than face down in a cellar with a bullet in his skull. He’s got one chance to stay alive: find this woman.
Unfortunately, he can’t escape his own curiosity, and an unnerving hunch quickly turns into a solid fact: just who Jack’s looking for, and why, aren’t nearly what they seem.
The Dramatist (Jack Taylor #4):
Seems impossible, but Jack Taylor is sober—off booze, pills, powder, and nearly off cigarettes, too. The main reason he’s been able to keep clean: his dealer’s in jail, which leaves Jack without a source. When that dealer calls him to Dublin and asks a favour in the soiled, sordid visiting room of Mountjoy Prison, Jack wants to tell him to take a flying leap. But he doesn’t, can’t, because the dealer’s sister is dead, and the guards have called it "death by misadventure."
The dealer knows that can’t be true and begs Jack to have a look, check around, see what he can find out. It’s exactly what Jack does, with varying levels of success, to make a living. But he’s reluctant, maybe because of who’s asking or maybe because of the bad feeling growing in his gut.
Never one to give in to bad feelings or common sense, Jack agrees to the favour, though he can’t possibly know the shocking, deadly consequences he has set in motion. But he and everyone he holds dear will find out soon, sooner than anyone knows.
Priest (Jack Taylor #5):
Ireland, awash with cash and greed, no longer turns to the Church for solace or comfort. But the decapitation of Father Joyce in a Galway confessional horrifies even the most jaded citizen.
Jack Taylor, devastated by the recent trauma of personal loss, has always believed himself to be beyond salvation. But a new job offers a fresh start, and an unexpected partnership provides hope that his one desperate vision, of family, might yet be fulfilled.
An eerie mix of exorcism, a predatory stalker, and unlikely attraction conspires to lure him into a murderous web of dark conspiracies. The spectre of a child haunts every waking moment.
Cross (Jack Taylor #6):
Jack Taylor brings death and pain to everyone he loves. His only hope of redemption – his surrogate son, Cody – is lying in hospital in a coma. At least he still has Ridge, his old friend from the Guards, though theirs is an unorthodox relationship. When she tells him that a boy has been crucified in Galway city, he agrees to help her search for the killer.
Jack’s investigations take him to many of his old haunts where he encounters ghosts, dead and living. Everyone wants something from him, but Jack is not sure he has anything left to give. Maybe he should sell up, pocket his Euros and get the hell out of Galway like everyone else seems to be doing.
Then the sister of the murdered boy is burned to death, and Jack decides he must hunt down the killer, if only to administer his own brand of rough justice.
Sanctuary (Jack Taylor #7):
When a letter containing a list of victims arrives in the post, PI Jack Taylor is sickened, but tells himself the list has nothing to do with him. He has enough to do just staying sane. His close friend Ridge is recovering from surgery and alcohol’s siren song is calling to him ever more insistently.
A guard and then a judge die in mysterious circumstances.
But it is not until a child is added to the list that Taylor determines to find the identity of the killer, and put a stop to the killings at any cost.
What he doesn’t know is that his relationship with the killer is far closer than he thinks, and that it’s about to become deeply personal.
The Devil (Jack Taylor #8):
America – the land of opportunity, a place where economic prosperity beckons: – but not for PI Jack Taylor, who’s just been refused entry.
Disappointed and bitter, he thinks that an encounter with an over-friendly stranger in an airport bar is the least of his problems. Except that this stranger seems to know rather more than he should about Jack.
Jack thinks no more of their meeting and resumes his old life in Galway. But when he’s called to investigate a student murder – connected to an elusive Mr K – he remembers the man from the airport. Is the stranger really is who he says he is? With the help of the Jameson, Jack struggles to make sense of it all.
After several more murders and too many coincidental encounters, Jack believes he may have met his nemesis. But why has he been chosen? And could he really have taken on the devil himself?
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Headstone (Jack Taylor #9)
viewtopic.php?f=1294&t=3561977
Jack Taylor Series (#10, 13-14 &16)
viewtopic.php?f=1294&t=2312940
Green Hell (Jack Taylor #11)
viewtopic.php?f=1294&t=4447453
The Emerald Lie (Jack Taylor #12)
viewtopic.php?f=1294&t=1710874
Galway Confidential (Jack Taylor #17)
viewtopic.php?f=1294&t=5552513.
