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Overview: Anita Nair is a popular Indian-English writer. She was born at Mundakottakurissi, near Shornur in Kerala State. She was working as the creative director of an advertising agency in Bangalore when she wrote her first book, a collection of short stories called Satyr of the Subway, which she sold to Har-Anand Press. The book won her a fellowship from the Virginia Center for Creative Arts. Her second book was published by Penguin India, and was the first book by an Indian author to be published by Picador USA. Her books have been published in several languages around the world. She lives in Bangalore.
Genre: Fiction > Mystery /Thriller
#1 – A Cut-Like Wound
Before the mirror he is transformed into Bhuvana. She is a hijra, a transgender seeking love in the bazaars of the city. What Bhuvana wants, she nearly gets: a passing man is attracted to this elusive young woman—but someone points out that Bhuvana is no woman. For that, the interloper’s throat is cut. A case for Inspector Borei Gowda, going to seed, and at odds with those around him including his wife, his colleagues, even the informers he must deal with.
#2 – Chain of Custody
What does thirteen-year-old Nandita’s disappearance have to do with the murder of a prominent lawyer in a gated community? As Gowda investigates, he is suddenly embroiled in Bangalore’s child-trafficking racket. Negotiating insensitive laws, indifferent officials, and uncooperative witnesses, he is in a race against time to rescue Nandita from one of the most depraved criminal rings he has ever encountered.
#3 – Hot Stage
Borei Gowda is a splendidly grumpy, hard-drinking, deeply flawed policeman whose chaotic home life includes an absent wife, an estranged son and an enigmatic mistress. When elderly Professor Mudgood is found dead in his Bangalore house one winter morning, it is considered a natural death; after all, he was 82 years old, but Gowda isn’t so sure. All the evidence points to a political murder since the professor was a fervent critic of right-wing forces in India. But the more Gowda delves into the details, the more convinced he becomes that the professor’s killing has been stage-managed. There is something more sinister to it – and Gowda has no other option but to take a calculated risk to infiltrate this sinister world.
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