Four Novels by Kate Christensen
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Overview: Kate Christensen’s essays and articles have appeared in various publications, including Salon, Mademoiselle, The Hartford Courant, Elle, and the bestselling anthology The Bitch in the House. She lives in Brooklyn with her husband.
The Astral (2011)
The Astral is a huge rose-colored old pile of an apartment building in the gentrifying neighborhood of Greenpoint, Brooklyn. For decades it was the happy home (or so he thought) of the poet Harry Quirk and his wife, Luz, a nurse, and of their two children: Karina, now a fervent freegan, and Hector, now in the clutches of a cultish Christian community. But Luz has found (and destroyed) some poems of Harry’s that ignite her long-simmering suspicions of infidelity, and he’s been summarily kicked out. He now has to reckon with the consequence of his literary, marital, financial, and parental failures (and perhaps others) and find his way forward—and back into Luz’s good graces.
Harry Quirk is, in short, a loser, living small and low in the water. But touched by Kate Christensen’s novelistic grace and acute perception, his floundering attempts to reach higher ground and forge a new life for himself become funny, bittersweet, and terrifically moving. She knows what secrets lurk in the hearts of men—and she turns them into literary art of the highest order.
Trouble (2009)
Josie is a Manhattan psychotherapist living a comfortable life with her husband and daughter – until she is struck with the sudden realization that she must leave her passionless marriage. At the same time, her college friend Raquel, a Los Angeles rock star, is being pilloried in the press for sleeping with a much younger man who happens to have a pregnant girlfriend. The two friends escape to Mexico City for a Christmas holiday of retreat and rediscovery of their essential selves. Sex has gotten these two bright, complicated women into interesting trouble, and the story of their struggles to get out of that trouble is totally gripping at every turn.
Jeremy Thrane (2001)
Jeremy Thrane is a thirty-five-year-old writer in love with a married man. For years, Jeremy has posed as "archivist" to Ted Masterson, a Hollywood action star. Jeremy maintains Ted’s New York brownstone and guards the secret that could destroy his career. But when Ted and his movie-star wife, Giselle, adopt a child and become America’s most-photographed family, Jeremy finds himself without a job and, more importantly, bereft of the love of his life.
With the same wit and authenticity that have made her a critical and popular favorite, Kate Christensen chronicles Jeremy’s search for a new start as he ventures to every corner of the New York landscape, from watering holes where gossip columnists await an "item" to dives where waiters and busboys are eager to please patrons-especially after their shifts are over. In his spare time, he struggles to finish a novel based on his father’s peripatetic life as a fanatical Marxist and turns out sizzling pornography for a one-man enterprise run by an old high school acquaintance. His sister, an up-and-coming rock musician, and his thrice-married, former flower-child mother, who found her true calling as a poet late in life, provide the mixture of criticism and compassion Jeremy has known all his life and now, for the most unexpected reasons, finally learns to appreciate.
The Great Man (2007)
Oscar Feldman, the "Great Man," was a New York city painter of the heroic generation of the forties and fifties. But instead of the abstract canvases of the Pollocks and Rothkos, he stubbornly hewed to painting one subject—the female nude. When he died in 2001, he left behind a wife, Abigail; an autistic son; and a sister, Maxine, herself a notable abstract painter—all duly noted in The New York Times obituary.
What no one knows is that Oscar Feldman led an entirely separate life in Brooklyn with his longtime mistress Teddy St. Cloud and their twin daughters. As the incorrigibly bohemian Teddy puts it, "He couldn’t live without a woman around. It was like water to a plant for him." Now two rival biographers, book contracts in hand, are circling around Feldman’s life story, and each of these three women—Abigail, Maxine, and Teddy—will have a chance to tell the truth as they experienced it.
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