Download Falconhurst series by Kyle Onstott (.ePUB)

Falconhurst series by Kyle Onstott (#01~2)
Requirements: ePUB Reader | 1.40 MB
Overview: Kyle Elihu Onstott was born on January 12, 1887 in Perry County, Illinois. Although he never had a steady job, Onstott was from a wealthy family and was able to pursue his main hobby—dog breeding and judging—in lieu of a career. Onstott was a lifelong bachelor and likely gay, though closeted. At age 40 he adopted a 23-year-old college student, Philip, who had lost his own parents. Philip eventually married a woman named Vicky and the two remained close to Onstott for the rest of his life. Onstott dedicated Mandingo to Philip and Vicky. Onstott began writing Mandingo when he was 65 years old. He based some of the events in the novel on “bizarre legends” he heard while growing up: tales of slave breeding and sadistic abuse of slaves. He was invited to write an article for True: The Man’s Magazine in 1959 about the horrors of slavery. Although the Falconhurst series has sold near or over 15 million copies, it (and its authors) remain in the shadows of bestselling popular literature.
Genre: Erotic | Interracial | Slave | Historical

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#1 – Mandingo: (1957)
The book is set in the 1830s in the antebellum South primarily around Falconhurst, a fictional plantation in Alabama owned by the planter Warren Maxwell. The narrative centers on Maxwell, his son Hammond, and the Mandingo (or Mandinka) slave Ganymede, or Mede. It is a tale of cruelty toward the blacks of that time, detailing vicious fights, poisoning, and violent death. The development of the Mandinka slave in the novel into the "Mandingo" stereotype was later used by Quentin Tarantino as part of his 2012 film Django Unchained.

#2 – Drum: (1962)
The world of DRUM is a world of brutality, lust and miscegenation… where chained Negroes are sold like cattle… where prize specimens, male and female are chosen to work in exotic bordellos, and on slave-breeding plantations… where masters, drunk with the power of life and death, force their slaves to entertain them with unspeakable acts.

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