Draping Period Costumes: Classical Greek to Victorian By Sharon Sobel
Requirements: .PDF reader, 4 MB
Overview: One way of creating a theatrical costume is called flat patterning. This is when a costume designer uses a pattern made to the wearer’s measurements to cut out and sew together a costume. In many cases flat patterning is the more appropriate method for creating a period costume – skirts, pants, and sleeves, for example. However, working in two-dimensions often does not translate correctly onto a three-dimensional dress form or person. Often a designer will need to tweak style lines on a garment once they see it worn, or a costume will need a quick adjustment right before going on stage. In those cases, designers need to know how to correctly drape a costume. Draping is also the best way to construct a period costume right from the start. The construction of garments in earlier centuries often constricted movement, especially in the area of the armhole. The very different size and proportions of contemporary people compared to those in previous centuries makes the use of period patterns difficult. A well-draped garment can give the impression of period accuracy while permitting the wearer greater freedom of movement. Having a mock-up pinned to the form in its early stages is quicker and easier to adapt than drafting a flat pattern, cutting it out of muslin and sewing it. It also provides the opportunity for greater creativity and adaptation as well as a better understanding of what fabric will and won’t do.
Genre: Non-Fiction > General
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