DCI Mark Lapslie series by Nigel McCrery (Books 1~3)
Requirements: ePUB Reader, 2.4 MB
Overview: Nigel Colin McCrery (born 30 October 1963, London) is an English screenwriter and ex-police officer.
Genre: Mystery/Thriller
Core of Evil: (aka Still Waters) Before his diagnosis, DCI Mark Lapslie thought everyone was like him. Now he knows he suffers from synaethesthesia – a rare neurological condition that has cross-wired his senses. The sickening clamour of sounds he can taste has smothered his marriage and stifled his career. At the scene of a fatal traffic accident, Lapslie’s interest isn’t in the recently deceased driver, rather the desiccated corpse found lying next to him. Something about the body stirs a fleeting recollection at the back of Lapslie’s mind… he can’t quite put his finger on it, but he can almost taste it… Memories haunt Violet Chambers too. She does what she can to stay ahead of them. Taking tea with her elderly friend Daisy, she knows it’s time to move on again. As Daisy falls to the floor, skin burning, eyes streaming, Violet calmly waits. Black hellebore is remarkably potent poison. It won’t be long now. Still Waters is a visceral thriller that will bring DCI Lapslie face to face with a calculating predator, where the troubled detective might just discover that his gravest weakness is also his greatest strength.
Tooth and Claw: Detective Chief Inspector Mark Lapslie and Sergeant Emma Bradbury are back in an electrifyingly suspenseful new novel, chasing down one of the most fearsome, brilliantly terrifying characters to ever stalk the pages of a book.
After a year of working at home in order to control his synaesthesia (the rare neurological condition that causes his brain to crosswire his senses), DCI Lapslie gets a visit from Emma Bradbury, summoning him back to active duty. A well-known television reporter has been brutally murdered and the top brass think Lapslie is the man to investigate the crime. With no witnesses and no suspects, Lapslie finds himself facing one of the toughest cases of his career. Then, in short order, he has a second murder on his hands: a man is found dead in a train-station bomb explosion. Despite all odds, Lapslie begins to suspect that the two high-profile cases may be connected. Under pressure to produce results and with the media bearing down on him and his synaesthesia going wild, Lapslie approaches his breaking point, but the solution to what’s beginning to look like the crimes of an especially evil—and diabolically creative—serial killer remains elusive. To make matters worse, the killer’s next target may be much closer than Lapslie could possibly guess.
Scream: As people disappear from his streets, and a handful of battered and broken bodies are discovered on his patch, Lapslie has no idea that he’s up against a man who feels sound like he can taste it. He hunts people down. Men, women, anyone with a voice. He makes them hurt, he makes them bleed, he makes them scream. If the sound is ugly, he dispatches them without thought, but if it makes him feel good inside, he keeps them in his basement. Torturing them slowly, listening for that awful, wonderful sound. And sooner or later he’ll have enough to make them sing his favourite things.
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