Crissa Stone series by Wallace Stroby (3-4)
Requirements: ePUB or MOBI reader | 2.3 Mb – 1.4 Mb
Overview: Wallace Stroby is an award-winning journalist and the author of the novels
Cold Shot to the Heart, Gone ‘Til November, The Heartbreak Lounge and The Barbed-Wire Kiss..
A Long Branch, N.J., native, he’s a lifelong resident of the Jersey Shore. "The Barbed-Wire Kiss," which The Washington Post called "a scorching first novel …full of attention to character and memory and, even more, to the neighborhoods of New Jersey," was a finalist for the 2004 Barry Award for Best First Novel.
A graduate of Rutgers University, Stroby was an editor at the Star-Ledger of Newark, Tony Soprano’s hometown newspaper, for 13 years.
Genre: Mystery & Thriller
#3. Shoot the Woman First
A half million dollars in drug proceeds, guarded by three men with automatic weapons. For Wallace Stroby’s determined heroine, professional thief Crissa Stone, and her team, stealing it was the easy part. But when the split goes awry in a blaze of gunfire, Crissa finds herself on the run with a duffel bag of stolen cash, bound by a promise to deliver part of the take to the needy family of one of her slain partners.
In pursuit are the drug kingpin’s lethal lieutenants and a former Detroit cop with his own deadly agenda. They think the money’s there for the taking, for whoever finds her first. But Crissa doesn’t plan to give it up without a fight, even as her mission of mercy puts her and a young child in mortal danger, with forces on both sides of the law closing in. After all, a debt is a debt…even if it has to be paid in blood.
With Shoot the Woman First, Wallace Stroby delivers another powerful, lyrical novel, his third featuring one of the most original female characters in hardboiled fiction.
#4. The Devil’s Share
It’s been a year since professional thief Crissa Stone last pulled a job, and she’s spent that year under the radar, very carefully not drawing attention to herself. That kind of life is safe, but it’s boring, and it’s lonely, and it’s not very lucrative. So when Crissa starts to get antsy—and low on funds—she agrees to attend a business meeting that a contact has set up for her.
Flying out to balmy Los Angeles, Crissa is escorted into the home of art collector Emile Cota. Cota is in possession of several ancient artifacts from a troubled area of the world—artifacts that were not exactly legally obtained. Cota has made a deal with the government, agreeing to return the artifacts to their home country in exchange for not being prosecuted for their theft. Since making that deal, however, Cota has found a buyer for the artifacts, and now he needs someone to "steal" them before they’re handed over to the government, so he can sell them instead. As one of the best in the business, Crissa is the woman for the job. But if things go wrong, what should be the easiest job of her career—after all, she’s robbing a man who wants to be robbed—might turn out to be the most dangerous.
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