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Cave Paintings: The History and Legacy of Prehistoric Man-made Art by Charles River Editors
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Overview: The legendary Pablo Picasso once paid a visit to the legendary Altamira Caves, located near the town of Santillana del Mar in Cantabria, Spain. There, he viewed the ancient cave paintings, deemed to be among the most sophisticated examples in the world. He summarized the visit by saying, “After Altamira, all is decadence,”[1] suggesting a purity in early man that modern people have apparently lost. Other lesser-known artists, psychologists and various scientists have dismissed even the best of the Paleolithic cave painters. They relegate the early paintings to the rudimentary beginnings of modernity with no special insights of life in the Stone Age outside of the struggle for survival.

Picasso’s subsequent visit to the caves of El Castillo earned largely the same sentiment, as he asserted, “We have learned nothing in 12,000 years.”[2] Even for Picasso, it seems, the discovery of “Ice Age Art” has opened an avenue of inquiry into the psychology of modern man as we draw our conclusions and varying empathies toward early humans. Drawn into the question of art are studies of the ancient brain and its gradual development, and diverse speculation as to the reasons for the existence of ancient art.
Genre: Non Fiction – History

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