Catastrophe Practice series by Nicholas Mosley (Books 1,2,4)
Requirements: EPUB/MOBI Reader, 8.9 MB
Overview: Nicholas Mosley was born in London on June 25, 1923 and was educated at Eton and Oxford. He served in Italy during World War II, and published his first novel, Spaces of the Dark, in 1951. His book Hopeful Monsters won the 1990 Whitbread Award.
Mosley is also the author of several works of nonfiction, most notably the autobiography Efforts at Truth and a biography of his father, Sir Oswald Mosley, entitled Rules of the Game/Beyond the Pale. He resides in London.
Genre: Literary Fiction
1. Catastrophe Practice
In his recent novels–including his award-winning Hopeful Monsters–Nicholas Mosley has investigated the patterns that govern our mental and emotional lives and the possibilities that we have for change, and nowhere has he explored such themes with greater concentration than in Catastrophe Practice. A unique book whose characters and concerns are the basis for the other four novels of the Catastrophe Practice Series – Hopeful Monsters, Imago Bird, Judith, and Serpent– Catastrophe Practice is remarkable both in its form (three plays with prefaces and a novella) and in its ability to convey the complexities of thought. Drawing upon catastrophe theory to examine the discontinuities in human personality and our tendency to progress suddenly rather than smoothly, the six characters of Catastrophe Practice struggle to disrupt traditional ways of being. These characters (and the author) feel that conventional ways of interpreting the world have become destructive–conventional language, conventional feelings, conventional situations–and try to find a way to realize genuine experience.
2. Imago Bird
This vivid and strikingly witty novel examines the contradictions between the public face and the private experience. Nephew to the prime minister of England, eighteen-year-old Bert tries to make sense of the grown-up world around him, a colorful crowd of television personalities, politicians, young Trotskyites, pop stars, and eccentric relatives. With the help of his laconic psychoanalyst, Bert questions the relation between exterior and interior reality, while Mosley himself questions art’s ability to convey these different realities. Both Bert and Mosley triumph over these challenges by the end of this engaging and innovative novel.
3. Judith
Judith is an aspiring young actress and the mistress of a writer on a popular satirical magazine. We learn of her involvement with drugs and increasing self-delusion. After a crack-up, she seeks healing in an Indian ashram run by an eccentric and possibly mad guru. But what is at the back of appearances; how calculated is the self-destructiveness from which a new order might emerge?
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