Requirements:16 GB of memory system. 32 GB when using Fusion
Blackmagic Design Desktop Video 10.4.1 or later
Integrated GPU or discrete GPU with at least 2 GB of VRAM
GPU which supports OpenCL 1.2 or CUDA 11
NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
Overview:Blackmagic Design DaVinci Resolve Studiothe world’s first 8K-enabled software product that allows professionally to perform editing and color correction of video, bring down the audio track and add visual effects. For an instant transition between different pages, one click is enough. In addition, DaVinci Resolve Studio is the only application with collective creativity tools to make editors, colorists, VFX specialists and sound engineers simultaneously solve their tasks within the framework of one project.
DaVinci Resolve sets new standards for high-quality post-processing of material, so when creating feature films, television series and commercials, this system is used more often than any other.
In addition,DaVinci Resolve 18 StudioThe only application with collective creativity tools is that editors, colorists, VFX specialists and sound engineers can simultaneously solve their problems within the framework of one project. DaVinci Resolve sets new standards for high-quality post-processing of material, so when creating feature films, television series and commercials, this system is used more often than any other.
Page KUT
The KUT page is designed to work on short-cycle material, such as commercials or news releases. Here is a whole range of innovative tools for significant installation optimization. With their help, you can import and adjust, add transitions and text, automatically level the color and reduce the audio track. This functionality provides quick preparation of content for the display on television and services such as YouTube. In addition, if necessary, you can always switch to the usual means of the Edit section even in the middle of the current project.
New opportunities: .
This version gives even more features, has a whole set of ResolveFX and FairlightFX plugins, and also provides processing of material in 4K, 8K and higher resolution with a frequency of up to 120 frames. It includes the DaVinci Neural Engine platform, which allows you to recognize human faces, use the Speed Warp function to create time-dimensional effects, perform automatic alignment and use of the color scheme. DaVinci Resolve Studio also contains tools for adding grannesity, blurring and blurring, extended noise reduction and HDR material. Additionally, support is provided for H.264 (10 bits), volumetric three-dimensional sound, stereoscopic 3D video and means of joint creativity.
Overview of installation tools in DaVinci Resolve: .
DaVinci Resolve has a full range of professional tools for interactive and autonomous editing of full-length films, TV series and commercials. The high-performance playback platform provides editing and fast fit of the material even when working with resource-intensive formats such as H.264 and RAW.
.Custom timeline settings
The ability to create mounting line with different parameters of the personnel frequency and resolution, monitoring and output settings within one project.
.Change of clips
The ability to apply mixing, conversion, ResolveFX plugins and color schemes to clips that are in the same timeline.
.Recognition of the Faces
The new DaVinci Neural Engine platform allows you to automatically collect clips in one folder based on the presence of human faces in the frame.
.Accurate transition to the right audio fragment
An exceptionally accurate change in the speed of playback and the conversion of the frame rate using the DaVinci Neural Engine platform.
.Image stabilization function
Frame analysis and their stabilization on the Edit page using camera fixing tools, scale changes and smoothing with varying intensity.
.Editing key personnel with curves
Ancect creation of animation effects with special tools and editing key frames for ResolveFX and OpenFX plugins.
.The Speed Warp Effect
The ability to search for the right fragment and correction of the tone to understanding speech during step-by-step transition.
.More effective coding
Processing only modified frames instead of re-encoding the entire file significantly reduces the time for rendering.
.Integration with the Frame.io platform
Address to the Frame.io platform and review comments, as well as synchronize notes without leaving the DaVinci Resolve app.
Davinci Resolve Studio
This version gives even more features, has a whole set of ResolveFX and FairlightFX plugins, and also provides processing of material in 4K, 8K and higher resolution with a frequency of up to 120 frames. It includes the DaVinci Neural Engine platform, which allows you to recognize human faces, use the Speed Warp function to create time-dimensional effects, perform automatic alignment and use of the color scheme. DaVinci Resolve Studio also contains tools for adding grannesity, blurring and blurring, extended noise reduction and HDR material. Additionally, support is provided for H.264 (10 bits), volumetric three-dimensional sound, stereoscopic 3D video and means of joint creativity.
The DaVinci Neural Engine
The new DaVinci Neural Engine platform uses state-of-the-art technology based on neural networks, artificial intelligence and machine learning. This has added features such as Speed Warp to create timing effects and Super Scale to zoom, automatically align and use the color scheme. Compatible with any operating system and efficient allocation of GPU resources provide unmatched speed and quality of processing, allowing simple tools to solve complex and time-consuming tasks. So, facial recognition allows you to sort and place clips in folders without performing operations manually.
New and Improved ResolveFX Plugins
The DaVinci Resolve 18 Studio version significantly improved the existing ResolveFX plugins, and new ones are added. They allow the use of vignits and shadows, analog noise, distortion and color aberration, remove objects and stylize the material. Additionally, a number of other tools are optimized, including imitation of television strings, smoothing facial features, filling the background, changing shape, eliminating broken pixels and transforming the color space. In addition, key frames for ResolveFX effects can be viewed and edited using curves on the Edit and Color pages.
Legendary quality of DaVinci
The DaVinci Resolve system uses the EmmyTM premium technology with 32-bit precision processing technology, and the YRGB color space allows you to separate the Y-component from the red, green and blue channels. This makes it possible to configure brightness parameters without rebalancing the color in the areas of light, half token and shadow. This functionality provides full support for the latest formats with a wide dynamic range to create an original visual series.
Blackmagic RAW
Blackmagic RAW is a new modern codec that provides exceptional image quality and features excellent speed characteristics. Thanks to the improved debaerization algorithm and a fundamentally different method of processing, it retains all the advantages of RAW, but it is more convenient to use and use faster, and the files created with it do not exceed the size of the usual video.
Blackmagic RAW partially transfers debagerization from the software application to the camera itself, where this process is performed in a hardware way. Due to such a redistribution of resources, compression becomes much more effective, and video requires less space on the accumulator of information. Blackmagic RAW is not just another format with an expansion of RAW, but a new hybrid codec that takes into account the features of the camera sensor. The resulting image, even with a high compression degree, has excellent characteristics, makes it possible to fully control a number of RAW parameters, including ISO, white balance, exposure, contrast, saturation and custom color space. Additionally, Blackmagic RAW offers comprehensive support for .sidecar metadata and files with customizable parameters, accelerated processing optimization with central and GPU acceleration, latest color rendering technology, as well as coding options with constant quality or bitrate.
Blackmagic RAW is suitable for shooting, editing and projecting, while all operations are performed with a single file. Any changes in the camera settings are not only reflected in DaVinci Resolve as metadata, but are also fully editable. After adjusting the RAW parameters in DaVinci Resolve, the final clip is easy to open for viewing and automatic use in other programs that recognize Blackmagic RAW. This ensures that the visual series is uniform, regardless of the application or platform used. All this makes the Blackmagic RAW the fastest codec based on RAW, which provides exceptionally high image quality.
-Trading features in DaVinci Resolve 18:
Legendary DaVinci Resolve tools allow you to perform trading at a level that can not be achieved when working with other applications. For this reason, in the production of feature films and television series, the DaVinci Resolve system is used more often than other software products. It contains primary and secondary color correction, provides tracking and image stabilization, and allows the use of curves.
Key frames for ResolveFX plugins
To make it easier to anime, the application allows you to view and edit key frames for ResolveFX and OpenFX plugins.
Screen indicators with graph processor acceleration
These tools have dozens of new options for advanced monitoring of technical parameters with increased performance.
Curing curves and histograms
The HSL function and custom curves serve to display histograms to facilitate image correction.
Automatic alignment and application of color scheme
Automatic alignment and application of the color scheme use the DaVinci Neural Engine platform for more accurate image processing.
Improved systematization of color schemes
Options for sorting and outputing a static image to a split screen, hovering and displacing on the timeline facilitate the systematization of color schemes.
Copying and application of properties
Ability to copy color scheme, windows, tracking tools and plugin effects between different nodes.
Group scale increase when output via SDI
Simultaneous increase in the image scale in the view window on the Color page and the display connected via SDI- or HDMI output.
View independent channels
Displays a red, green or blue channel in the viewing window to evaluate digital noise and artifacts, as well as manual color alignment.
Improved compatibility with OpenFX plugins
Optimization when adding ResolveFX and OpenFX effects provides higher compatibility with third-party plugins.
-Visual effects of Fusion in DaVinci Resolve
The Fusion page with a node structure contains more than 250 tools for fast and convenient compositing in 3D, adding broadcast graphics and visual effects of cinematic quality directly in the DaVinci Resolve application environment.
– Frooted processing of 3D material
Significant performance improvement by speeding up the GPU.
Acceleration of the GPU
Chronomet effects, dissolution, work with color and stereo material, vector motion and binding.
Optimization of masks
Acceleration for all masked operations, including working with splines and raster material.
Improved trekking
Optimization of Camera Tracker and Planar Tracker tools.
Optimization of caching
Cated and improved output with Smart Cache and User Cache tools.
Optimized storage system
Higher reliability when using a variety of tools to work on a complex combined image.
-Fairlight tools in DaVinci Resolve:
The Fairlight page in the DaVinci Resolve app is a full-fledged digital workstation for mixing the audio track. It allows you to use the equivalentization and dynamic effects, provides editing with accuracy to a separate sample, and also has a sound library, speech voicing tools and FairlightFX plugins.
The three-dimensional 3D sound
Supports Dolby Atmos, Auro-3D, SMPTE ST2098 and bus for 26 channels to process and create audio track in surround sound formats.
– The eug. of the wave
The ability to set the same wave form for different clips when performing speech voice and changing the speed of playback without correction of the tone.
Work with tyre paths
View and edit automation parameters when displaying tire tracks on a time scale along with regular tracks.
– Improved volume monitoring
Support for ATSC, 1770 and R128 standards provides more opportunities for technical sound volume control.
New FairlightFX plugins
Additional FairlightFX plugins, including frequency analyzer, limitation, phase meter, speech processor and sound effects.
New library of noise effects
The ability to download more than 500 acoustic noises for use in the DaVinci Resolve app.
-What’s new in DaVinci Resolve 18:
Key Features
-Blackmagic Cloud to host and manage cloud-based project libraries.
-Collaborate securely over the internet using Blackmagic ID.
-Support for intelligent path mapping to relink files automatically.
-Vastly improved library performance for network workflows.
– Improved project performance, especially when working with large projects.
-New Proxy Generator app for auto-creating proxies within watch folders.
– Ability to choose between prioritizing proxies or camera originals.
-Proxy files in subfolders are automatically assigned in the media pool.
Media & Edit
-Stabilize Blackmagic Pocket Camera clips with camera gyro metadata.
– New subtitle improvements including
-Support for timed text TTML, XML and embedded MXF/IMF subtitles.
– Ability to view and import subtitles from media storage.
-Support for relinking subtitle clips from the media pool.
-Subtitle region support with multiple captions per track.
-Set individual presets, text positions and intuitive editing between regions.
-Add, rename and manage regions from the timeline context menu.
– Ability to export TTML subtitles from the tracker context menu.
– Ability to import, export and embed multiple subtitle tracks as TTML.
-Support for reversing shape, iris and wipe transitions in the edit page.
-Support for showing up to 25 multicams simultaneous angles on the viewer.
-Edit Index now shows clip duration.
-Ability to navigate keyframes outside trimmed clips.
-Ability to navigate retime keyframes using hotkeys.
-Smart bin filter for disabled timelines.
-Render in place and open in Fusion actions can be shortcuts.
-Reset Fusion composition now works on multiple clip selections.
Color Color
-New object mask capability in Magic Mask.
-Adjustment clips and Fusion generators can bypass color management.
-Support for sync clip groups in remote grading sessions.
– Ability to trigger bidirectional tracking from advanced and mini panels.
-Support for matte finesse and 3D qualifier in advanced and mini panels.
-Dolby Vision highlight clipping support in advanced panels.
-Support for bypassing color outputs from advanced panels.
-Add key mixers with auto-connected key outs from advanced panels.
-Support for bidirectional tracking in advanced panels.
-Support for fast review playback mode in advanced panels.
-ACES support for Blackmagic Gen 5 camera formats.
-Support for the HDR Vivid standard.
-Reference gamut enabled compression by default in ACES 1.3.
Resolve FX
-New Resolve FX Depth Map to generate 3D depth based keys in Studio.
– New Resolve FX Fast Noise.
– New Resolve FX Despill.
-New Resolve FX Surface Tracker for tracking warped surfaces in Studio.
– Improved Resolve FX Beauty with new ultra mode.
-Improved edge strength and filter controls in Resolve FX Edge Detection.
-Option to composite from a second input in Resolve FX Transform.
-New bokeh preset for Resolve FX Lens Reflections.
-Green-purple control for Resolve FX Chromatic Aberration.
-Sizing awareness option in Resolve FX lens flare and radial & zoom blurs.
Fairlight
– Ability to convert fixed bus projects to FlexBus in project settings.
– Ability to freely orders and buses in the mixer via the track index.
– Ability to nudge custom millisecond or sub-frame intervals in the timeline.
-Improved quality for time stretched audio.
-Improved Dolby Atmos immersive mixing, including binaural monitoring.
-Native support for Dolby Atmos production for Linux and Apple silicon.
-Independent controls to enable automation and expose parameters.
-Improved behavior of automated tracks under VCA control.
– Improved meters with configurable decay, peak hold and display modes.
-Ability to ctrl-alt click to remove gain and elastic wave keyframes.
– Ability to double click a clip in the timeline to rename.
-Ability to set record clip name prefix at a per-track level.
-Support for renaming underlying tracks when renaming a linked group.
-Equalizers with Q improved controls and mouse wheel inputs.
-Dynamics with enhanced metering, gain display and enable controls.
-Dynamics with improved dry mix, soft knee and metering in FlexBus.
-Improved plugin management with replace and copy settings in the mixer.
-New built in presets for equalizers and dynamics.
-Hold shift and double click clips to extend the edit range.
-Support for applying audio gain on range selection.
-Improved waveform display accuracy under crossfades.
-Origination time metadata is now persisted when bouncing mix to track.
-Option to trim from unity on the Fairlight Desktop Console.
-Support for VCA and bus spill on the Fairlight Desktop Console.
-Support for using the Fairlight Desktop Console on Linux systems.
-Studio monitoring support for FlexBus on consoles.
-Fairlight console option to mute speakers on timeline load.
-Support for chasing timecode via Fairlight audio interfaces.
-Support for user views in the Fairlight Desktop Console.
-Improved mapping for audio effects on the Audio Editor panel.
– Ability to use alt + solo to invoke solo safe in the Audio Editor panel.
-Support for a new clear mutes action in the timeline menu.
-Enabling track mixer controls brings window to focus if open.
-Grid and list modes are persisted for patch, bus and VCA assign.
Fusion, United
-Multi-button mode selection in inspector for multiple tools.
-Support for all modern and future python 3 versions for scripting.
-Support for live previews when using the Text+ color picker.
-Multiple new composition blend modes.
-New expression animated Custom Poly modifier for masks and strokes.
-Faster GPU accelerated paint tool with smoother strokes.
-Faster duplicate tool with additional blur, glow and size controls.
-Improved fade-on and text ripple title performance.
– Improved performance for night vision, glitch, TV and other effects.
The Codecs
-Support for Blackmagic RAW SDK 2.6.
-Support for video uploads to internet accounts using custom presets.
-Support for encoding mono and stereo MP3 audio.
– New HyperDeck export preset in the Quick Export and deliver page.
– Ability to render individual clips with timeline effects.
– Ability to embed Blackmagic RAW metadata in QuickTime renders.
-Custom quality and profile media management options where available.
-Support for rendering Dolby compatible Vision H.265 clips.
-Support for decoding CMYK format TIFF files.
-Support for retaining reel name metadata in rendered EXRs.
-Support for record date and time metadata for JPEG stills.
-Alpha channel support in the IO Encode Plugin SDK.
-Support for RED SDK 8.3.
-Support for the ARRI Alexa 35 camera.
– New 1440p YouTube preset.
-Render option to override ACES gamut compression for round trips.
-Main10 is the default H.265 encoding profile on Mac.
General General
-Support for 10-bit viewers on Windows and Linux in Studio.
-Stream video output to remote monitoring in Windows and Linux in Studio.
Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.
-Support for Korean localizations in DaVinci Resolve.
-PostgreSQL 13 is now bundled with Project Server.
-Support for desktop notifications for collaboration chat.
-User preference to import Finder tags as clip keywords on Mac.
-Support for importing and exporting Final Cut Pro v1.10 XMLs.
– Ability to unlink Dropbox comment and marker sync for timelines.
-Playback and renders now prevents Mac systems from sleeping.
-Render jobs now show progress bars for uploads.
-Support for per-system project working paths in collaboration and cloud.
-Support for per-system render cache mode in collaboration and cloud.
-Support for setting current project settings as default.
– Drag and drop archives to project manager to restore.
-Scripting API support for creating Fusion compositions.
-Scripting API support for exporting project archives.
-Scripting API support to get and set timeline start timecode.
-Scripting API support to detect stale media bins and they refresh.
-Scripting API support for updating camera raw sidecar files.
– General performance and stability improvements.
What’s new in DaVinci Resolve 18.6.6.7: .
"Adit to encode Panasonic AVC 100 and 50 in MXF Op Atom formats."
Option to encode big endian LPCM audio in QuickTime.
Addressed default alpha mode interpretation for some QuickTime media.
Addressed incorrect path separators in some project settings on Windows.
Addressed some Sony XAVC H clips being shown as offline.
Addressed a media management issue trimming Sony 8K X-OCN clips.
– General performance and stability improvements.
More Info:
https://www.blackmagicdesign.com/Download Instructions:
Information about the program:
Year of manufacture:2024, 2024,
Platform: Windows 11/10 (64-bit only)
Interface language:Multilanguage
Medicine: Setup and Portable, are activated.
File size: 3.84 GB | 4.78GB
Password:kMGLLN5oQzRz2@
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