Adorno and the Architects of Late Style in India: Aesthetic Form after the Twentieth-century Novel by Tania Roy
Requirements: .PDF reader, 18 MB
Overview: In the postcolonial world, the claim to an emancipated national culture was bound to its aesthetic correlate, the unfolding time and experiments of the twentieth-century novel. Today, the constructs of both novel and a progressivist national project function, in all their closures, within global scales of economic disparity and violent exclusion.
What is the fate of a literary canon when it is no longer capable of delineating a future – or otherwise, is bound to reproduce the failures of the past within its own inscriptions? How do we experience our current “globalist” moment, when lived inequities of gender, labour and ethnicity emerge in a text’s inability to speak on time? When does artistic or literary failure become the measure of a work’s accomplishment? And what sort of liberation is envisioned by works that refuse the imperatives of “progress” and “independence” – which embrace the appearance of obsolescence by rejecting values of artistic freedom, originality and innovation? These are some of the provocations that arise from T.W. Adorno’s idea of late style for our own conjuncture – a properly postcolonial context, in which every conceptual or expressive engagement is articulated through an awareness of eroded national promise.
Genre: Non-Fiction > Educational
Download Instructions:
https://ouo.io/CsGe91
https://ouo.io/dn8kMN
