8 books by Robert Silverberg
Requirements: Epub reader, 7.12 Mb
Overview: Robert Silverberg is one of science fiction’s most beloved writers, and the author of such contemporary classics as Dying Inside, Downward to the Earth and Lord Valentine’s Castle, as well as At Winter’s End, also available in a Bison Books edition. He is a past president of the Science Fiction and Fantasy Writers of America and the winner of five Nebula Awards and five Hugo Awards. In 2004 the Science Fiction and Fantasy Writers of America presented him with the Grand Master Award. Silverberg is one of twenty-nine writers to have received that distinction.
Genre: Science Fiction, Fantasy
Across a Billion Years
Graduate student Tom Rice is thrilled to embark on his first deep-space archeological expedition. He is part of a team from Earth, venturing out in search of artifacts from a civilization that ruled the universe many millennia ago. Called the High Ones, the members of this long-gone society left tantalizing clues about their history and culture scattered throughout space. One such clue, a “message cube” containing footage of the ancient ones, is more interesting than all of the others combined. It seems to indicate that the High Ones aren’t extinct after all—and just like that, Tom Rice’s archeological mission has become an intergalactic manhunt, one filled with ever-increasing danger that will send the explorers hurtling headlong into the greatest adventure—and peril—of their lives.
The Last Song of Orpheus
In the course of his extraordinary—and prolific—career, Robert Silverberg has made an enormous contribution to imaginative literature. In The Last Song of Orpheus, his longest story in more than a decade, Silverberg has given us one of his most remarkable accomplishments, a resonant recreation of one of the central myths of western civilization.
In this mesmerizing narrative, Orpheus—wanderer, demigod, and master musician—recounts his own astonishing story. That story ranges from the depths of the Underworld, where he attempts to rescue his beloved but doomed Eurydice, to the farthest, most dangerous corners of the ancient world, where he journeys in search of the legendary Golden Fleece. It is a tale of men and gods, of miraculous encounters, of the binding power of inescapable Fate. More than that, it is a meditation on the power of the creative spirit, and on the eternal human search for balance and harmony in a chaotic universe. Beautifully constructed and masterfully written, The Last Song of Orpheus is Silverberg at his incomparable best, showing us a deeply familiar series of scenes, themes, and characters from a fresh, wholly original perspective.
Star of Gypsies
Yakoub was once the legendary King of the Rom, the Gypsy race that has evolved from the days of caravans into lords of the spaceways – the only pilots capable of steering ships safely between the many worlds of the Galaxy. Weary and proud, Yakoub has relinquished his power and lives in exile on a distant, icy world. In his absence, chaos fills the vacuum of power. The fate of the entire Galactic Empire hangs in the balance. Yakoub must journey across the cosmos and fight to regain his throne. Only then can he fulfill his dream – to return his people to their ancestral home of Romany Star.
The Rom need the Yakoub of legend once more. Can the once-mighty King overcome time and tyranny and inspire his people in their darkest hour?
The Face of the Waters
Living on one of the scattered artificial islands that serve as outposts for human beings, one group of humans anger their hosts and are sent into exile, where they face danger and discover a planetwide secret.
Time of the Great Freeze
For centuries, men had lived miles beneath the ground in order to survive the great Ice Block that had submerged the earth. In an attempt to resume human contact, Jim Barnes, his father and several other daring men emerge from a subterranean New York to cross the frozen Atlantic. Coping bravely with problems of food and shelter, the fury of snowstorm and the attacks of wild beasts, and the strange, savage men who roam the Earth’s ice crust, they finally reach London, only to find an angry and distrustful mob. Jim’s pivotal role in establishing trust and unity is revealed in a suspenseful and thrilling climax.
The Chalice of Death
As a young man, Robert Silverberg was a science fiction prodigy, turning out top-flight stories in the blink of an eye. Though written quickly, Silverberg’s early prose already showed evidence of the literary and imaginative qualities that would make him a giant in the field—as this trio of space adventures attests.
In The Chalice of Death, Hallam Navarre is tasked by his alien master to seek out a fabled weapon on the homeworld of a once-mighty, but long-fallen, empire that is all but forgotten: a planet called Earth. In Starhaven, Johnny Mantell is a fugitive who finds sanctuary on an artificial world run by criminals, only to discover that every haven has its price. And in Shadow on the Stars, Baird Ewing travels to distant Earth on a desperate mission to save his colony from rapacious aliens, but becomes swept up in a bigger war—a war in time as well as space.
The Iron Chancellor
THE IRON CHANCELLOR was Robert Silverberg’s second contribution to GALAXY (his first a year earlier in 1956 was BLAZE OF GLORY); he was 22 when it appeared and it shows a remarkably developed talent. Silverberg in his memoirs remembers how Horace Gold, the editor of GALAXY magazine, was simultaneously entranced by Silverberg’s precocity and angered by what he felt was the young writer’s eagerness to settle for production, stylistic facility and prolific output. Like all of the editors with whom Silverberg dealt in his early career, Gold alternated between impatience and admiration but he did find THE IRON CHANCELLOR a strong story and he was glad to have it at a time when so many of his regular contributors, impatient with the field and with Horace, were moving on or moving out. In this story of a controlling machine assuming a totalitarian control, the influences on Silverberg can be clearly noted–Henry Kuttner’s Gallegher stories, Robert Sheckley’s rampant and perverse technology in the AAA Ace Series (also published in GALAXY). Silverberg’s own voice has emerged and he handles his rather large cast without stereotype, with clear definition and with a good deal of control. Silverberg became an increasingly dominant GALAXY contributor in the following decade and then, in the early 1970’s when the editorship had passed to Ejler Jakobsson’s and a new publisher, three of Silverberg’s novels were serialized in consecutive issues of the magazine, "The amazing fulfillment of a childhood fantasy" Silverberg wrote.
Tom O’Bedlam
Life in the blasted wasteland of 2103 California is nasty, brutish, and short. If the savage “scratchers” don’t kill you, the poisoned environment will. But one man wanders this desolate landscape and sees beauty: glorious visions of impossible places and majestic beings not of Earth. Scorned and mocked as a madman, Tom doubts his sanity until his visions mysteriously begin to spread to others and a returning star probe offers evidence that they are real. Now, as a new religion is born, with Tom as its reluctant messiah, violent forces are unleashed—forces that have the power to transform humanity . . . or destroy it.
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Tom O’Bedlam
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