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Overview: Margot Livesey is the New York Times bestselling author of the novels The Flight of Gemma Hardy, The House on Fortune Street, Banishing Verona, Eva Moves the Furniture, The Missing World, Criminals, and Homework. Her work has appeared in the New Yorker, Vogue, and the Atlantic, and she is the recipient of grants from both the National Endowment for the Arts and the Guggenheim Foundation. The House on Fortune Street won the 2009 L. L. Winship/PEN New England Award. Born in Scotland, Livesey currently lives in the Boston area and is a professor of fiction at the Iowa Writers’ Workshop.
Genre: Fiction > General Fiction/Classics
Homework (1990)
Celia Gilchrist believes that she has finally found the right man in Stephen, but when she moves in with Stephen and his young daughter Jenny, things begin to go subtly, menacingly wrong. Money disappears, a sweater is ruined, small, common-place lies escalate into awkward confrontations. Livesey’s debut novel Homework, now back in print, is a chilling portrait of jealousy and fear, devotion, and the wish to be loved.
Criminals (1996)
Margot Livesey’s early novel Criminals is the story of adult brother and sister Ewan and Mollie and their decision to rescue an abandoned child. But is the child being rescued by these two, or abducted? Where is the line between moral and criminal behavior? Livesey paints a thrilling and devastating portrait of two people blinded by need and the desire for betterment.
The Missing World (2000)
Following the acclaimed Criminals comes a spellbinding new novel that confirms Margot Livesey’s place "right up there," as Liz Smith wrote in the Philadelphia Inquirer, "in the realm of P. D. James and the esteemed Patricia Highsmith."
What if — by stroke of fortune — you could start afresh, could wipe away that catastrophic blunder in your past? And to what lengths would you go to establish that in fact you’d done nothing wrong at all? After an accident robs Hazel of three years’ worth of memory, just such an opportunity is granted to Jonathan, undone by his betrayal of this woman, whom he professes to love above all. While he begins to rewrite their history, two other misfits — an American sojourner and a luckless English actress — knock about London, each of them haunted by indelible memories they would much rather forget. Eventually their hopes of redemption draw them toward Jonathan’s house, where Hazel has become a virtual prisoner . . .
Replete with compelling characters and extravagantly plotted, The Missing World weaves together these separate quests for love and truth in a manner both thrilling and, ultimately, revealing about our imperfect lives.
Eva Moves the Furniture (2001)
On the morning of Eva McEwen’s birth, six magpies congregate in the apple tree outside the window–a bad omen, according to Scottish legend. That night, Eva’s mother dies, leaving her to be raised by her aunt and heartsick father in their small Scottish town. As a child, Eva is often visited by two companions–a woman and a girl–invisible to everyone else save her. As she grows, their intentions become increasingly unclear: Do they wish to protect or harm her? A magical novel about loneliness, love, and the profound connection between mother and daughter, Eva Moves the Furniture fuses the simplicity of a fairy tale with the complexity of adult passions.
Banishing Verona (2004)
A couple begins an intense affair, only to be separated abruptly-and perhaps irrevocably-in this surprising, suspenseful love story
Zeke is twenty-nine, a man who looks like a Raphael angel and who earns his living as a painter and carpenter in London. He reads the world a little differently from most people and has trouble with such ordinary activities as lying, deciphering expressions, recognizing faces. Verona is thirty-seven, confident, hot-tempered, a modestly successful radio show host, unmarried, and seven months pregnant. When the two meet in a house that Zeke is renovating, they fall in love, only to be separated less than twenty-four hours later when Verona leaves abruptly, without explanation, for Boston.
Both Zeke and Verona, it turns out, have complications in their lives, though not of a romantic kind. Verona’s involve her brother, Henry, who is tied up in shady financial dealings. Zeke’s father has had a heart attack and his mother is threatening to run away with her lover, all of which puts pressure on Zeke to take over the family grocery business. And yet he finds himself following Verona to Boston. As he pursues her, and she pursues Henry, both are forced to ask the perplexing question: Can we ever know another person?
Deftly plotted and filled with unexpected twists, Banishing Verona marks the arrival of another lyrical and wise novel from a writer whose work "radiates with compassion and intelligence and always, deliciously, mystery" (Alice Sebold).
The House on Fortune Street (2008)
It seems like mutual good luck for Abigail Taylor and Dara MacLeod when they meet at university and, despite their differences, become fast friends. Years later they remain inseparable: Abigail, the actress, allegedly immune to romance, and Dara, a therapist, throwing herself into relationships with frightening intensity. Now both believe they’ve found "true love." But luck seems to run out when Dara moves into Abigail’s downstairs apartment. Suddenly both their friendship and their relationships are in peril, for tragedy is waiting to strike the house on Fortune Street.
Told through four ingeniously interlocking narratives, Margot Livesey’s The House on Fortune Street is a provocative tale of lives shaped equally by chance and choice.
Mercury (2016)
Donald believes he knows all there is to know about seeing. An optometrist in suburban Boston, he is sure that he and his wife, Viv, who runs the local stables, are both devoted to their two children and to each other. Then Mercury—a gorgeous young Thoroughbred with a murky past—arrives at Windy Hill and their world changes.
Everyone at the stables is struck by Mercury’s beauty and prowess, particularly Viv. As she rides him, she begins to dream of competing again, reigniting the ambitions that she pursued, and reluctantly relinquished, as a young woman. Her daydreams soon morph into consuming desire, and her infatuation with the Thoroughbred escalates to obsession.
Donald may have 20/20 vision, but he is slow to notice how profoundly Viv has changed. By the time he does, it is too late to stop the catastrophic collision of Viv’s ambitions and his own myopia.
The Boy in the Field (2020)
The New York Times bestselling author of The Flight of Gemma Hardy delivers another “luminous, unforgettable, and perfectly rendered” (Dennis Lehane) novel—a poignant and probing psychological drama that follows the lives of three siblings in the wake of a violent crime.
One September afternoon in 1999, teenagers Matthew, Zoe, and Duncan Lang are walking home from school when they discover a boy lying in a field, bloody and unconscious. Thanks to their intervention, the boy’s life is saved. In the aftermath, all three siblings are irrevocably changed.
Matthew, the oldest, becomes obsessed with tracking down the assailant, secretly searching the local town with the victim’s brother. Zoe wanders the streets of Oxford, looking at men, and one of them, a visiting American graduate student, looks back. Duncan, the youngest, who has seldom thought about being adopted, suddenly decides he wants to find his birth mother. Overshadowing all three is the awareness that something is amiss in their parents’ marriage. Over the course of the autumn, as each of the siblings confronts the complications and contradictions of their approaching adulthood, they find themselves at once drawn together and driven apart.
Written with the deceptive simplicity and power of a fable, The Boy in the Field showcases Margot Livesey’s unmatched ability to “tell her tale masterfully, with intelligence, tenderness, and a shrewd understanding of all our mercurial human impulses” (Lily King, author of Euphoria).
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