6 Novels by Michael Dibdin
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Overview: Michael Dibdin was born in 1947. He went to school in Northern Ireland, and later to Sussex University and the University of Alberta in Canada. He lived in Seattle. After completing his first novel, The Last Sherlock Holmes Story, in 1978, he spent four years in Italy teaching English at the University of Perugia. His second novel, A Rich Full Death, was published in 1986. It was followed by Ratking in 1988, which won the Gold Dagger Award for the Best Crime Novel of the year and introduced us to his Italian detective – Inspector Aurelio Zen.
Dibdin was married three times, most recently to the novelist K. K. Beck. His death in 2007 followed a short illness.
Genre: Mystery, Suspense, Thriller
A Rich Full Death: Florence,1855. "The English are dying too much," the city’s police chief observes. And members of the foreign
community in this quaint Italian backwater, both English and American, are indeed dying at an alarming rate and in an extraordinary variety of ingenious and horrible ways.
With the local authorities out of their depth, the distinguished resident Robert Browning launches his own private investigation, aided and abetted by an expatriot Robert Booth. Unfortunately, their amateur sleuthing is hampered by the fact that each of their suspects becomes the next victim in a series of murders orchestrated by a killer with a taste for poetic justice. A Rich Full Death features characters both historical and imaginary, ranging from an enticing servant girl to Mr. Browning’s consumptive, world-famous wife, Elizabeth Barrett, in a tale lush with period detail, intricately plotted, and with a truly astonishing final twist.
Dirty Tricks: A comedy of manners, a mystery thriller, and a sardonic satire whose deliciously unscrupulous narrator claims that everything he did regarding his victims was " market-led, " Dirty Tricks is pure entertainment from one of the most inventive writers around.
When the nameless narrator embarks upon an affair with Karen, a seemingly vapid P.E. teacher married to a boring accountant, he does not know her fetish is for adultery while her husband is in the room or loitering nearby. But once he finds out, he doesn’ t care. He has been abroad for twenty years, and since his return to merry old England he’ s been startlingly uninhibited by morals or a conscience. Which is not only why he eventually gets involved with blackmail, a kidnapping, and two murders, but also how, with hilariously syllogistic logic, he’ s able to justify his role in all of it.
Dark Specter: A series of apparently random and motiveless murders occurs in towns and cities all over America. There is nothing to connect them with an obscure religious sect operating from a Pacific island, and dedicated to the scriptural study of William Blake’s poetry and the initiation of a chosen few.
The Dying of the Light: One of England’s most acclaimed younger mystery writers, the creator of Detective Aurelio Zen, gives us a brilliant and haunting variation on the classic drawing-room murder novel. The setting is Eventide Lodge, where the guests have gathered for tea. Colonel Weatherby is reading by the fire. Mrs. Hargreave III is whiling away her time at patience. And Miss Rosemary Travis and her friend, Dorothy, are wondering which of their housemates will be the next to die.For even as Michael Dibdin’s elderly sleuths debate clues and motives, it becomes clear that Eventide Lodge is not a genteel country inn but a place of ghastly cruelties and humiliations. A place where the logic of murder is . . .almost comforting. At once affectionate homage and audacious satire, The Dying of the Light will delight any aficionado of Patricia Highsmith, Peter Dickinson, or Ruth Rendell.
Thanksgiving: After his wife, Lucy, dies in a plane crash, something compels Anthony to visit Lucy’s ex-husband, Darryl Bob, who lives in the middle of a Nevada desert in a trailer filled with audio and video evidence of Lucy’s tantalizing and occasionally adulterous sexuality. What prompts the visit? Grief? Anger? A desire to reconnect with the past? We don’t know, exactly, and neither does Anthony–nor is he sure why he brought a gun with him. But contrary to all rules of Chekhovian drama, he leaves, shaken and scarred after a particularly disturbing stroll down memory lane, without using the revolver.
The Tryst: “One of my patients thinks somebody’s trying to kill him,” Aileen Macklin says to her husband over breakfast. A psychiatrist with a fading marriage, Aileen is haunted by the glue-sniffing lad who comes to her in a panic, begging to be admitted to a psychiatric hospital for protection. Gary Dunn clearly needs help: ravaged by his squalid existence, he is paralyzed with fear about a murder he has witnessed and convinced he may be next. Unfortunately for Gary, he may just be right. And unfortunately for Aileen, she becomes far more involved in his case than professional ethics would recommend.
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