6 novels by John Banville
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Overview: William John Banville (born 8 December 1945), who writes as John Banville and sometimes as Benjamin Black, is an Irish novelist, adapter of dramas, and screenwriter. Recognised for his precise, cold, forensic prose style, Nabokovian inventiveness, and for the dark humour of his generally arch narrators, Banville is considered to be "one of the most imaginative literary novelists writing in the English language today." He has been described as "the heir to Proust, via Nabokov."
Genre: Fiction / Classics
1. Shroud
One part Nietzsche, one part Humbert Humbert, and a soupcon of Milton’s Lucifer, Axel Vander, the dizzyingly unreliable narrator of John Banville’s masterful novel, is very old, recently widowed, and the bearer of a fearsome reputation as a literary dandy and bully. A product of the Old World, he is also an escapee from its conflagrations, with the wounds to prove it. And everything about him is a lie.
Now those lies have been unraveled by a mysterious young woman whom Vander calls “Miss Nemesis.” They are to meet in Turin, a city best known for its enigmatic shroud. Is her purpose to destroy Vander or to save him—or simply to show him what lies beneath the shroud in which he has wrapped his life? A splendidly moving exploration of identity, duplicity, and desire.
2. The Untouchable
Banville takes on the enigma of the Cambridge spies in a novel of exquisite menace, biting social comedy, and vertiginous moral complexity. The narrator is the elderly Victor Maskell, formerly of British intelligence, for many years art expert to the Queen. Now he has been unmasked as a Russian agent and subjected to a disgrace that is almost a kind of death. But at whose instigation?
As Maskell retraces his tortuous path from his recruitment at Cambridge to the airless upper regions of the establishment, we discover a figure of manifold doubleness: Irishman and Englishman; husband, father, and lover of men; betrayer and dupe.
3. Mefisto
Mefisto, like Banville’s other novels, takes as its theme the price the true scientist or artist must pay for his calling in terms of his own humanity, his ability to live fully. Like his Copernicus, Kepler, and the nameless narrator of The Newton Letter, the central character of Mr. Banville’s Mefisto, Gabriel Swan, is caught in the dilemma of the divided man who must choose between life and work, thought and action, experience and creation. The solution he seeks to dissolve the dilemma lies in a perhaps discoverable formula that will reduce the disorder of common things to an equation the application of which will "show up the seemingly random for what it is."
Gabriel is guided in his quest by Felix, the mysterious fixer, and his strange companions: Sophie, the silent girl, and the doomed Mr. Kasperl. At the close of the quest, as the computer-borne pattern seems set to repeat itself endlessly, Gabriel uncovers a solution that fails to bring him the rigor and certainty he had sought but offers up other things entirely. His wages are neofaustian and his fate as chancy as the "seemingly random" he would subside.
4. Birchwood
I am therefore I think. So starts John Banville’s 1973 novel Birchwood, a novel that centers around Gabriel Godkin and his return to his dilapidated family estate. After years away, Gabriel returns to a house filled with memories and despair. Delving deep into family secrets—a cold father, a tortured mother, an insane grandmother—Gabriel also recalls his first encounters with love and loss. At once a novel of a family, of isolation, and of a blighted Ireland, Birchwood is a remarkable and complex story about the end of innocence for one boy and his country.
5. Eclipse
In this deeply moving and original book, John Banville alloys mystery, fable, and ghost story with poignant psychological acuity to forge the riveting story of a man wary of the future, plagued by the past, and so uncertain in the present that he cannot discern the spectral from the real.
When renowned actor Alexander Cleave was a boy living in a large house with his widowed mother and various itinerant lodgers, he encountered a strikingly vivid ghost of his father. Now that he’s fifty and has returned to his boyhood home to recover from a breakdown on stage, he is not surprised to find the place still haunted. He is surprised, however, by new presences. And he is soon overwhelmed by how they, coupled with an onslaught of disturbing memories, compel him to confront the clutter that has become his life: ruined career, tenuous marriage, and troubled relationship with an estranged daughter.
6. Ghosts
Opens with a shipwreck, leaving a party of sightseers temporarily marooned on an island. The stranded castaways make their way towards the refuge of the isle’s reclusive savant; but the big isolated house which is home to Professor Silas Kreutznaer and his laconic assistant, Licht, is also home to another, unnamed presence.
Banville forges an unforgettable amalgam of enchantment and menace that suggests both The Tempest and his own acclaimed The Book of Evidence.
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