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Overview: Georgina Harding is a freelance travel writer who has also written a number of books, including In Another Europe and Tranquebar: A Season in South India. The Solitude of Thomas Cave, Harding’s first work of fiction, was inspired by real-life events. While reading the memoirs of an Icelandic sailor, Harding stumbled upon the story of a sailor who bet his shipmates that he could spend the entire winter in Greenland and survive, a feat previously supposed to be impossible. From that story, Harding created her seventeenth-century sailor, a Brit by the name of Thomas Cave, and his whaling ship the Heartsease.
Genre: Fiction > General Fiction/Classics
The Solitude of Thomas Cave (2007)
In 1616, as the last warm days dwindle in the north Atlantic, the men on an English whaling ship prepare to head back toward home. But there is one exception among them: the quiet, headstrong Thomas Cave. For Cave has bet the rest of the crew that he can spend a winter on this Arctic island. Alone.
His shipmates sail away, the days shorten, and the cold weather moves in. Thomas Cave faces months of darkness, ice, and blizzards. He has nothing to his name except his rations, shelter, and a journal–a record in case he doesn’t survive to tell his story. But nothing so threatens the willful sailor as his own mind: he is haunted by the remembrances of another life and a lost love. From his post at the edge of the known world, Cave sees his own past, and begins to reflect on man’s relationship with God and the wilderness.
A beautiful, ghostly tale, The Solitude of Thomas Cave brings us back to the beginning of the modern world, in a story infused with the violence, power and beauty that define both man and nature.
The Spy Game (2009)
On a freezing January morning in 1961, eight-year-old Anna’s mother disappears into the fog. That same morning, a spy case breaks in the news. Obsessed by stories of espionage, Anna’s brother Peter begins to construct a theory that their mother, a refugee from eastern Germany, was an undercover spy and might even still be alive. As life returns to normal, Anna struggles to sort fact from fantasy. Did her mother have a secret life? And how do you know who a person was once she is dead?
Painter of Silence (2012)
When she leaves the ward she feels the whiteness of the room still inside her, as if she is bleached out inside. It is the shock, she tells herself. She feels the whiteness like a dam holding back all the coloured flood of memory. 1948. A man is found on the steps of the hospital in Iasi, Romania. Wet with morning dew, he is as frail as a fallen bird and utters no words. It is days before anyone realises that he is deaf and mute. The ward sister, Adriana, whose son still has not returned from the war in Russia, sits at the man’s bedside and whispers to him, keeping herself company. But it is a young nurse called Safta who thinks to bring paper and pencils with which he might draw. Slowly, painstakingly, memories appear on the page: a hillside, a stable, a racing car, a grand house as it was before everything changed for ever. The man is Augustin, the son of a cook at the manor house in Dumbraveni where Safta was the privileged daughter. Born six months apart, they had a connection that bypassed words, but while Augustin’s world stayed the same size Safta’s expanded to embrace languages, society, the breathless possibility of Paris. And love, one dappled summer’s day, in the form of a fleeting young man in a green Lagonda. Pictures are always in the present. But a war has raged and ebbed since those days, leaving in its wake a new, Communist regime. Walls have ears, words and images are more dangerous than ever before, and even neighbours with old-world mirrors and samovars cannot be trusted. Georgina Harding’s kaleidoscopic new novel is as intense and submerging as rain, as steeped in the horrors of our recent history as it is in the intimate passions of the human heart.
The Gun Room (2016)
Dawn, mist clearing over the rice fields, a burning Vietnamese village, and a young war photographer gets the shot that might make his career. The image, of a staring soldier in the midst of mayhem, will become one of the great photographs of the war. But what he has seen in that village is more than he can bear, and he flees.
Jonathan drifts on to Japan, to lose himself in the vastness of Tokyo, where there are different kinds of pictures to be taken: peacetime pictures of crowds and subways and cherry blossom. And pictures of a girl with whom he is no longer lost: innumerable pictures of Kumiko, on the streets and in the rain and in the heat of the summer.
Yet even here in this alien city, his history will catch up with him: that photograph and his responsibility in taking it; his responsibility as a witness to war, and as a witness to other events buried far deeper in his past.
The Gun Room is a powerful exploration of image and memory, and of the moral complexity and emotional consequences of the experience of war.
Land of the Living (2018)
A profound masterpiece on war, loss and survival, rendered in prose of rhythmic precision, subtlety and exceptional sensitivity, by the Orange Prize-shortlisted author of Painter of Silence
‘Arresting and brutal … the finely tuned work of a writer exceptionally at ease with her craft and a testament to the power and poetry of clean and disciplined prose’ Sadie Jones, Guardian
Charlie’s experiences at the Battle of Kohima and the months he spent lost in the remote jungles of Assam during the Second World War are now history. Home and settled on a farm in Norfolk and newly married to Claire, he is one of the lucky survivors. Starting a family and working the land seem the best things a man can be doing.
Harvest (2021)
So fresh and free she looked, in the yellow dress. Sunlight to blaze away the shadows.
A farm in Norfolk in the 1970s. A Japanese girl comes to visit her English lover in the house where he was born. She arrives on a day of perfect summer, stands with his mother in a garden filled with roses, watches as his brother walks fields of ripening wheat.
But between the two brothers lies the shadow of their father’s violent death almost twenty years before, the unresolved narrative of their childhood – a story that has gone untold, a story that began in the last war. In the presence of the girl, the old trauma begins to surface as the work of the harvest begins.
In a compelling addition to Harding’s cycle of acclaimed novels on themes of witness, memory and silence, on what goes unsaid long after wars are over, Harvest tells how a family reaps the consequences of its past.
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