6 Books by Terry Southern
Requirements: ePUB Reader l 5 MB
Overview: Terry Southern (1924–1995) was an American author, essayist, screenwriter, and university lecturer, noted for his distinctive satirical style. Part of the Paris postwar literary movement in the 1950s and a companion to Beat writers in Greenwich Village, Southern was also at the center of Swinging London in the 1960s and helped to change the style and substance of American films in the 1970s. In the 1980s he wrote for Saturday Night Live and lectured on screenwriting at several universities in New York.
Southern’s dark and often absurdist style of satire helped to define the sensibilities of several generations of writers, readers, directors and film goers. He is credited by journalist Tom Wolfe as having invented New Journalism with the publication of "Twirling at Ole Miss" in Esquire in 1962, and his gift for writing memorable film dialogue was evident in Dr. Strangelove, The Loved One, The Cincinnati Kid, Easy Rider, and The Magic Christian. His work on Easy Rider helped create the independent film movement of the 1970s.
Genre: Fiction l General Fiction/Classics
Flash and Filigree: Terry Southern is an acclaimed satirist of American culture, the writer responsible for Candy and the screenplay of Dr. Strangelove. In Flash and Filigree, his first novel, he delivers yet another outrageously funny commentary on the dark side of our national life. Frederick Eichner, world-renowned dermatologist, is visited by the entrancingly irritating Mr. Felix Treevly, who comes to him as a patient and stays as an obsession. Mr. Treevly leads the doctor into a series of hilarious and increasingly weird situations, which, with the assistance of a drunken private detective, a mad judge, a car crash, and a hashish party, finally drive him to mayhem. A wild whirlwind of a novel, Flash and Filigree is a work of comic genius from one of the wittiest writers of our time.
Candy: (with Mason Hoffenberg) Banned upon its initial publication, the now-classic Candy is a romp of a story about the impossibly sweet Candy Christian, a wide-eyed, luscious, all-American girl. Candy –– a satire of Voltaire’s Candide –– chronicles her adventures with mystics, sexual analysts, and everyone she meets when she sets out to experience the world.
The Magic Christian: One of the funniest, cruelest, and most savagely revealing books about American life ever written, The Magic Christian has been called Terry Southern’s masterpiece. Guy Grand is an eccentric billionaire — the last of the big spenders — determined to create disorder in the material world and willing to spare no expense to do it. Leading a life full of practical jokes and madcap schemes, his ultimate goal is to prove his theory that there is nothing so degrading or so distasteful that someone won’t do it for money. In Guy Grand’s world, everyone has a price, and he is all too willing to pay it. A satire of America’s obsession with bigness, toughness, money, TV, guns, and sex, The Magic Christian is a hilarious and wickedly original novel from a true comic genius.
Red-Dirt Marijuana and Other Tastes: This collection of Southern’s short pieces — two dozen hilarious, well-observed, and devastating sketches that expose the hypocrisy of American social mores — is widely recognized as an underground classic
Blue Movie: A hilarious, wildly erotic, and biting satire of Hollywood, Blue Movie tells the story of King B., an Oscar-winning director who’s determined to shoot the dirtiest and most expensive X-rated movie ever made; Sid Krassman, a producer who’s made a fortune catering to the tastes of the American public, and Angela Sterling, a misunderstood sex symbol who’d give anything (and everything) for a chance to do something "serious." The set is fraught with monstrous egos and enormous libidos — the kind of situation that could only come from the imagination of the irrepressible Terry Southern.
Texas Summer: An evocative, poignant coming-of-age novel set in rural Texas in the 1930s.
Through events small and large, thirteen-year-old Harold Stevens grows up during a pivotal summer in the red-dirt backcountry of West Texas. With his friend C.K. Crow, the black field hand who works for Harold’s father, he shoots deer and quail, fishes for catfish, mends fences, grows and learns about marijuana, and tests his emerging manhood against bullies, bulls, and the irresistible charms of his horse-riding older cousin. During a hysterical trip to a circus sideshow, Harold and a buddy sneak backstage to see “The Great Hermaphrodite” and the “funny little old Monkey Man,” whom they try to buy a beer. But danger waits on the fringe of this innocent time. When C.K.’s brother, Big Nail, appears after escaping from a chain gang, an inevitable and violent confrontation between the brothers is set in motion—a confrontation that will mark the end of Harold’s childhood.
This inside view of Southern’s roots in Alvarado, Texas, where pastoral innocence belied an undercurrent of racism and violence, brings this novel of a boy’s transition to maturity vividly alive.
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