5 Novels by Clarice Lispector
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Overview:Clarice Lispector (1920-1977) was Brazilian journalist, translator and author of fiction. Born in Western Ukraine into a Jewish family who suffered greatly during the pogroms of the Russian Civil War, she was still an infant when her family fled the disastrous post-World War I situation for Rio de Janiero. At twenty-three, she became famous for her novel, Near to the Wild Heart, and married a Brazilian diplomat. She spent much of the forties and fifties in Europe and the United States, helping soldiers in a military hospital in Naples during World War II and writing, before leaving her husband and returning to Rio in 1959. Back home, she completed several novels including The Passion According to G.H. and The Hour of the Star before her death in 1977 from ovarian cancer.
Genre: Literary Fiction, Classic
The Hour of the Star
Clarice Lispector’s consummate final novel, may well be her masterpiece. Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life’s unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free. She doesn’t seem to know how unhappy she should be. As Macabéa heads toward her absurd death, Lispector employs her pathetic heroine against her urbane, empty narrator—edge of despair to edge of despair—and, working them like a pair of scissors, she cuts away the reader’s preconceived notions about poverty, identity, love, and the art of fiction. In her last book she takes readers close to the true mystery of life and leaves us deep in Lispector territory indeed.
The Passion According to G.H.
The Passion According to G.H., Clarice Lispector’s mystical novel of 1964, concerns a well-to-do Rio sculptress, G.H., who enters her maid’s room, sees a cockroach crawling out of the wardrobe, and, panicking, slams the door crushing the cockroach and then watches it die. At the end of the novel, at the height of a spiritual crisis, comes the most famous and most genuinely shocking scene in Brazilian literature.
Near to the Wild Heart
Near to the Wild Heart, published in Rio de Janeiro in 1943, introduced Brazil to what one writer called "Hurricane Clarice": a twenty-three-year-old girl who wrote her first book in a tiny rented room and then baptized it with a title taken from Joyce: "He was alone, unheeded, near to the wild heart of life".
A Breath of Life
A mystical dialogue between a male author (a thinly disguised Clarice Lispector) and his/her creation, a woman named Angela, this posthumous work has never before been translated. At her death, a mountain of fragments remained to be structured by Olga Borelli. These fragments form a dialogue between a god-like author who infuses the breath of life into his creation: the speaking, breathing, dying creation herself, Angela Pralini. The work’s almost occult appeal arises from the perception that if Angela dies, Clarice will have to die as well. And she did.
Água Viva
A meditation on the nature of life and time, Água Viva shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispectors, Água Viva stands out as a particular triumph.
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