5 books by Colm Toibin (Tóibín)
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Overview: Colm Tóibín is an Irish novelist, short story writer, essayist, playwright, journalist, critic, and, most recently, poet. He is regarded by certain critics as having excelled at the many literary forms with which he has experimented. Tóibín is Leonard Milberg Lecturer in Irish Letters at Princeton University in New Jersey and succeeded Martin Amis as professor of creative writing at the University of Manchester. He was hailed as a champion of minorities as he collected the 2011 Irish PEN Award. In 2011, he was named one of Britain’s Top 300 Intellectuals by The Observer, despite being Irish.
Genre: Fiction | General Fiction/Classics
Brooklyn
Eilis Lacey has come of age in small-town Ireland in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America — to live and work in a Brooklyn neighborhood "just like Ireland" — she decides she must go, leaving her fragile mother and her charismatic sister behind. Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm. But just as Eilis begins to fall in love with Tony, devastating news from Ireland threatens the promise of her future.
Nora Webster
It is the late 1960s in Ireland. Nora Webster is living in a small town, looking after her four children, trying to rebuild her life after the death of her husband. She is fiercely intelligent, at times difficult and impatient, at times kind, but she is trapped by her circumstances, and waiting for any chance which will lift her beyond them. Slowly, through the gift of music and the power of friendship, she finds a glimmer of hope and a way of starting again. As the dynamic of the family changes, she seems both fiercely self-possessed but also a figure of great moral ambiguity, making her one of the most memorable heroines in contemporary fiction. The portrait that is painted in the years that follow is harrowing, piercingly insightful, always tender and deeply true. Colm Tóibín’s Nora is a character as resonant as Anna Karenina or Madame Bovary and Nora Webster is a novel that illuminates our own lives in a way that is rare in literature. Its humanity and compassion forge an unforgettable reading experience.
The Testament of Mary
Provocative, haunting, and indelible, Colm Tóibín’s portrait of Mary presents her as a solitary older woman still seeking to understand the events that become the narrative of the New Testament and the foundation of Christianity.
In the ancient town of Ephesus, Mary lives alone, years after her son’s crucifixion. She has no interest in collaborating with the authors of the Gospel—her keepers, who provide her with food and shelter and visit her regularly. She does not agree that her son is the Son of God; nor that his death was “worth it;” nor that the “group of misfits he gathered around him, men who could not look a woman in the eye,” were holy disciples. Mary judges herself ruthlessly (she did not stay at the foot of the Cross until her son died—she fled, to save herself), and is equally harsh on her judgment of others. This woman who we know from centuries of paintings and scripture as the docile, loving, silent, long-suffering, obedient, worshipful mother of Christ becomes, in Toibin’s searing evocation, a tragic heroine with the relentless eloquence of Electra or Medea or Antigone. This tour de force of imagination and language is a portrait so vivid and convincing that our image of Mary will be forever transformed.
The Heather Blazing
The sea is slowly eating into the land and the hill with the old watchtower has completely disappeared. The nearest house has crumbled and fallen into the sea. It is Ireland in the late twentieth century. Eamon Redmond is a judge in the Irish High Court. Obsessed all his life by the letter and spirit of the law, he is just beginning to discover how painfully unconnected he is from other human beings. With effortless fluency, Colm Toibin reconstructs the history of Eamon’s relationships – with his father, his first "girl, " his wife, and the children who barely know him. He gives us a family as minutely realized as any of John McGahern’s, and he writes about Eamon’s affection for the landscape of his childhood on the east coast of Ireland with such skill that the land itself becomes a character. The result is a novel that ensnares us with its emotional intensity and dazzles with its crystalline prose.
The South
This was the night train to Barcelona, some hours before the dawn. This was 1950, late September. I had left my husband. I had left my home.
Katherine Proctor has dared to leave her family in Ireland and reach out for a new life. Determined to become an artist, she flees to Spain, where she meets Miguel, a passionate man who has fought for his own freedoms. They retreat to the quiet intensity of the mountains and begin to build a life together. But as Miguel’s past catches up with him, Katherine too is forced to re-examine her relationships: with her lover, her painting and the homeland she only thought she knew. . .
The South is the book that introduced readers to the astonishing gifts of Colm Tóibín, winning the Irish Times First Fiction Award in 1991. Arrestingly visual and enduringly atmospheric, it is a classic novel of art, sacrifice, and courage.
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