5 books by Cesar Aira
Requirements: ePUB reader, 4 MB
Overview: César Aira (born on 23 February 1949 in Coronel Pringles, Buenos Aires Province) is an Argentine writer and translator, and an exponent of Argentine contemporary literature. Aira has published over eighty short books of stories, novels and essays. In fact, at least since 1993 a hallmark of his work is an almost frenetic level of writing and publication—two to four novella-length books each year. He has lectured at the University of Buenos Aires, on Copi and Arthur Rimbaud, and at the University of Rosario on Constructivism and Stéphane Mallarmé, and has translated and edited books from France, England, Italy, Brazil, Spain, Mexico, and Venezuela.
Genre: Fiction / Contemporary
Ghosts (trans. by Chris Andrews)
Ghosts is about a construction worker’s family squatting on a building site. They all see large and handsome ghosts around their quarters, but the teenage daughter is the most curious. Her questions about them become more and more heartfelt until the story reaches a critical, chilling moment when the mother realizes that her daughter’s life hangs in the balance.
The Miracle Cures of Dr. Aira (trans. by Katherine Silver)
Single, in his forties, and poor, Dr. Aira is a skeptic. His personality his weaknesses, whims, and pet peeves is summed up in a series of digressions and regressions but he has a very special gift for miracles. He no longer cares about miracles, however, and has no faith in them. Perhaps he is even a little ashamed about his supernatural powers. Such is Dr. Aira, who also has to confront his arch-enemy chief of the Piñero Hospital, Dr. Actyn who is constantly trying to prove that Dr. Aira is a charlatan. Poor Dr. Aira is indeed a worker of miracles, but César Aira the magesterial author sends the very human doctor stumbling toward the biggest trap of all, in this magical book.
Shantytown (trans. by Chris Andrews)
Maxi, a middle-class, directionless ox of a young man who helps the trash pickers of Buenos Aires’s shantytown, attracts the attention of a corrupt, trigger-happy policeman who will use anyone — including two innocent teenage girls — to break a drug ring that he believes is operating within the slum. A strange new drug, a brightly lit carousel of a slum, the kindness of strangers, gunplay… no matter how serious the subject matter, and despite Aira’s "fascination with urban violence and the sinister underside of Latin American politics" (The Millions), Shantytown, like all of Aira’s mesmerizing work, is filled with wonder and mad invention.
Varamo (trans. by Chris Andrews)
Varamo is about the day in the life of a hapless government employee who, after wandering around all night after being paid by the Ministry in counterfeit money, eventually writes the most celebrated masterwork of modern Central American poetry, The Song of the Virgin Boy. What is odd is that, at fifty years old, Varamo “hadn’t previously written one sole verse, nor had it ever occurred to him to write one.”
How I Became a Nun (trans. by Chris Andrews)
"My story, the story of ‘how I became a nun,’ began very early in my life; I had just turned six. The beginning is marked by a vivid memory, which I can reconstruct down to the last detail. Before, there is nothing, and after, everything is an extension of the same vivid memory, continuous and unbroken, including the intervals of sleep, up to the point where I took the veil ." So starts Cesar Aira’s astounding "autobiographical" novel. Intense and perfect, this invented narrative of childhood experience bristles with dramatic humor at each stage of growing up: a first ice cream, school, reading, games, friendship. The novel begins in Aira’s hometown, Coronel Pringles. As self-awareness grows, the story rushes forward in a torrent of anecdotes which transform a world of uneventful happiness into something else: the anecdote becomes adventure, and adventure, fable, and then legend. Between memory and oblivion, reality and fiction, Cesar Aira’s How I Became a Nun retains childhood’s main treasures: the reality of fable and the delirium of invention.
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Note: The books lack Table of Contents. This fact was informed to the administrator.
