4 Novels by Robert Goddard
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Overview: Robert Goddard was born in Hampshire. He was educated at Price’s Grammar School, Fareham (1966-1973). At Price’s he gained entry to Peterhouse College, Cambridge where he read History. He worked as an educational administrator in Devon before becoming a full-time novelist.
Genre: Mystery, Thriller
Beyond Recall: At a wedding party in Cornwall in the summer of 1981, Chris Napier is shocked to recognise a dishevelled intruder as his childhood friend Nicky Lanyon, whom he has not seen since his father, Michael Lanyon, was hanged for the murder of Chris’s great-uncle, Joshua Carnoweth, in 1947.
It was the inheritance of old Joshua’s fortune that led the then humble Napier family to their present state of affluence. When Nicky subsequently hangs himself, Chris sets out on a journey into his own and others’ memories of the tragic events of 34 years before. Driven on by Nicky’s firm belief in his father’s innocence, he begins to doubt the offical version of those events and to question the conduct of several members of his own family.
Then other present-day mysteries begin to dog his footsteps into the past and soon his search for the truth becomes a desperate struggle for his own survival.
Caught in the Light: On assignment in Vienna, photographer Ian Jarrett falls desperately in love with a woman he meets by chance, Marian Esguard. Back in England, he breaks up with his wife and goes to meet Marian at an agreed rendezvous. Marian fails to show.
Searching desperately for her, he stumbles on a Dorset churchyard full of the gravestones of dead Esguards. He also meets a psychotherapist, Daphne Sanger. She too is looking for someone: a former patient who has come to believe she is the reincarnation of Marion Esguard, who lived in Regency times and, it emerges, may have invented photography ten years before Fox Talbot. But if so, why is she unknown to history? And where is the woman he met in Vienna?
Ian sets out to solve a mystery that may be 170 years old. At the end of his search a trap awaits him. There is a twist at the end of Caught in the Light that is Robert Goddard’s most cunning to date.
Set in Stone: Recovering from the recent death of his wife in a cliff fall, Tony Sheridan goes to stay with her sister and her husband at their house in Rutland. The house, called Otherways, is in some senses a character in the story: a strange, circular, moted construction dating from Edwardian times.
Disturbed by memories of his wife and a growing attraction to her sister, and troubled by vivid dreams, Sheridan learns that a murder committed at the house in 1939 still has resonances for those living in the neighbourhood, including the sister of the murdered woman.
There is a scandal surrounding the murderer’s brother, and enough hints of other mysteries to forewarn Sheridan of impending disaster as he embarks on a secret affair. But that disaster is far worse than a friendship betrayed. Its nature is revealed by the ghosts that have haunted Otherways over the years – of whom he comes to fear that he may be one himself.
Dying to Tell: It is autumn in the Somerset town of Glastonbury. Lance Bradley is idling away his life there as usual when he receives a call for help from the eccentric sister of his old friend Rupert Alder. Inexplicably, Rupe has stopped sending the money that his dysfunctional siblings depend on. Reluctantly, Lance goes to London to learn what he can, only to find that his friend has vanished. His employers, a shipping company, believe he is guilty of a major fraud. A Japanese businessman called Hashimoto claims he has stolen a document of life and death importance. And a private detective who has been trying to trace on Rupert’s behalf an American called Townley has been warned off by unnamed but immensely powerful interests. Townley, it seems, was involved in a mysterious death at Wilderness Farm, near Glastonbury, back in 1963, that year of so many shattering events which just happens also to be the year of Lance’s birth.
No sooner has Lance decided that whatever Rupert was up to is too risky
for him to get involved in than he finds that he already is involved, and the only way out is to get in deeper still. Where is Rupert? What is the document he has stolen? Who is Townley? And what happened in the summer of 1963 that holds the key to a secret more devastating than Lance Bradley could ever have imagined?
Dying to Tell is a classic Robert Goddard mystery, intricate, compelling, and this time with a denoument that is, quite literally, sensational.
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