Download 4 books by Karen Joy Fowler (.ePUB)

4 books by Karen Joy Fowler
Requirements: Epub reader, 3.77 Mb
Overview: Karen Joy Fowler (born February 7, 1950) is an American author of science fiction, fantasy, and literary fiction. Her work often centers on the nineteenth century, the lives of women, and alienation.
She is best known as the author of the best-selling novel The Jane Austen Book Club that was made into a movie of the same name.
Genre: Fantasy, Historical Fiction

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Sister Noon
Lizzie Hayes, a member of the San Francisco elite, is a seemingly docile, middle-aged spinster praised for her volunteer work with the Ladies Relief and Protection Society Home, or "The Brown Ark". All she needs is the spark that will liberate her from the ruling conventions. When the wealthy and well-connected, but ill-reputed Mary Ellen Pleasant shows up at the Brown Ark, Lizzie is drawn to her. It is the beautiful, but mysterious Mary Ellen, an outcast among the women of the elite because of her notorious past and her involvement in voodoo, who will eventually hold the key to unlocking Lizzie’s rebellious nature.

The Sweetheart Season
‘Polls have recently confirmed what has long been suspected; most men do not want brainy women. Stewardesses have turned out to be that occupation blessed most often with marriage. The key elements appear to be uniforms and travel.’
It is 1947 and in the aftermath of World War II halcyon days have not returned to Magrit, Minnesota, where the veterans have failed to come home. The men haven’t died; they’ve just moved onto greener pastures, rejecting the local women, who served the war effort in the Scientific Kitchen of Margaret Mill. The mill was founded by Henry Collins, the man responsible for Sweetwheats, the world’s first puffed and sugar-coated cereal. As part of a publicity campaign, Henry creates the Sweetwheats Sweethearts all-girl baseball team, convincing the mill girls that this will help them find husbands.

What I Didn’t See: Stories
In her moving and elegant new collection, New York Times bestseller Karen Joy Fowler writes about John Wilkes Booth’s younger brother, a one-winged man, a California cult, and a pair of twins, and she digs into our past, present, and future in the quiet, witty, and incisive way only she can.
The sinister and the magical are always lurking just below the surface: for a mother who invents a fairy-tale world for her son in "Halfway People"; for Edwin Booth in "Edwin’s Ghost," haunted by his fame as "America’s Hamlet" and his brother’s terrible actions; for Norah, a rebellious teenager facing torture in "The Pelican Bar" as she confronts Mama Strong, the sadistic boss of a rehabilitation facility; for the narrator recounting her descent in "What I Didn’t See."
With clear and insightful prose, Fowler’s stories measure the human capacities for hope and despair, brutality and kindness. This collection, which includes two Nebula Award winners, is sure to delight readers, even as it pulls the rug out from underneath them.

The Science of Herself
Widely respected in the so-called “mainstream” for her New York Times bestselling novels, Karen Joy Fowler is also a formidable, often controversial, and always exuberant presence in Science Fiction. Here she debuts a provocative new story written especially for this series. Set in the days of Darwin, “The Science of Herself” is a marvelous hybrid of SF and historical fiction: the almost-true story of England’s first female paleontologist who took on the Victorian old-boy establishment armed with only her own fierce intelligence—and an arsenal of dino bones.
Plus…
“The Pelican Bar,” a homely tale of family ties that makes Guantánamo look like summer camp; “The Further Adventures of the Invisible Man,” a droll tale of sports, shoplifting and teen sex; and “The Motherhood Statement,” a quietly angry upending of easy assumptions that shows off Fowler’s deep radicalism and impatience with conservative homilies and liberal pieties alike.
And Featuring: our Outspoken Interview in which Fowler prophesies California’s fate, reveals the role of bad movies in good marriages, and intimates that girls just want to have fun (which means make trouble).

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