4 books by Michael Ondaatje
Requirements: EPUB reader, 8.6 MB
Overview: He was born to a Burgher family of Dutch-Tamil-Sinhalese-Portuguese origin. He moved to England with his mother in 1954. After relocating to Canada in 1962, Ondaatje became a Canadian citizen. Ondaatje studied for a time at Bishops College School and Bishop’s University in Lennoxville, Quebec, but moved to Toronto and received his BA from the University of Toronto and his MA from Queen’s University in Kingston, Ontario and began teaching at the University of Western Ontario in London, Ontario. In 1970 he settled in Toronto. From 1971 to 1988 he taught English Literature at York University and Glendon College in Toronto. He and his wife, novelist and academic Linda Spalding, co-edit Brick, A Literary Journal, with Michael Redhill, Michael Helm, and Esta Spalding. Although he is best known as a novelist, Ondaatje’s work also encompasses memoir, poetry, and film. Ondaatje has, since the 1960s, also been involved with Toronto’s influential Coach House Books, supporting the independent small press by working as a poetry editor. In 1988 Michael Ondaatje was made an Officer of the Order of Canada (OC) and two years later became a Foreign Honorary Member of the American Academy of Arts and Letters. In 1992 he received the Man Booker Prize for his winning novel adapted into an Academy-Award-winning film, The English Patient.(less)
Genre: Fiction / Classics
1. Coming Through Slaughter: Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players–some say the originator of jazz–who was, in any case, the genius, the guiding spirit, and the king of that time and place. In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje’s prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel–one where the enigma is never resolved, but allowed to manifest in its fullness. Though more ‘experimental’ in form than either The English Patient or In the Skin of a Lion, it is a fitting addition to the renowned Ondaatje oeuvre.
2. The Collected Works of Billy the Kid: Funny yet horrifying, improvisational yet highly distilled, unflinchingly violent yet tender and elegiac, Michael Ondaatje’s ground-breaking book The Collected Works of Billy the Kid is a highly polished and self-aware lens focused on the era of one of the most mythologized anti-heroes of the American West. This revolutionary collage of poetry and prose, layered with photos, illustrations and "clippings," astounded Canada and the world when it was first published in 1969. It earned then-little-known Ondaatje his first of several Governor General’s Awards and brazenly challenged the world’s notions of history and literature. Ondaatje’s Billy the Kid (aka William H. Bonney / Henry McCarty / Henry Antrim) is not the cliched dimestore comicbook gunslinger later parodied within the pages of this book. Instead, he is a beautiful and dangerous chimera with a voice: driven and kinetic, he also yearns for blankness and rest. A poet and lover, possessing intelligence and sensory discernment far beyond his life’s 21 year allotment, he is also a resolute killer. His friend and nemesis is Sheriff Pat Garrett, who will go on to his own fame (or infamy) for Billy’s execution. Himself a web of contradictions, Ondaatje’s Garrett is "a sane assassin sane assassin sane assassin sane assassin sane assassin sane" (p. 29) who has taught himself a language he’ll never use and has trained himself to be immune to intoxication. As the hero and anti-hero engage in the counterpoint that will lead to Billy’s predetermined death, they are joined by figures both real and imagined, including the homesteaders John and Sallie Chisum, Billy’s lover Angela D, and a passel of outlaws and lawmakers. The voices and images meld, joined by Ondaatje’s own, in a magnificent polyphonic dream of what it means to feel and think and freely act, knowing this breath is your last and you are about to be trapped by history.
3. Running in the Family: In the late 1970s Michael Ondaatje returned to his native island of Sri Lanka. REcording his journey through the druglike heat and intoxicating fragrances of that "pendant off the ear of India," Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. It is a story of broken engagements and drunken suicide attempts, of parties where exquisitely dressed couples tango in the jungle, a tale whose actors pursue lives of Baudelairean excess with impeccable decorum. Lyrical and witty, tragic and deliciously romantic, Running in the Family is an inspired marriage of travel narrative and family memoir by one of our most eloquent and poetic writers.
4. Handwriting: The exquisite poems collected here draw on history, mythology, landscape, and personal memories to weave a rich tapestry of images that reveal the longing for–and expose the anguish over–lost loves, homes, and language, as the poet contemplates scents and gestures and evokes a time when "handwriting occurred on waves, / on leaves, the scripts of smoke" and remembers a woman’s "laughter with its / intake of breath. Uhh huh."
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