3 Novels by Tony Burgess
Requirements: .ePUB reader, 6,9 MB
Overview: Tony Burgess lives in Stayner, Ontario, with his wife Rachel and their two children. He is the author of The Hellmouths of Bewdley, Pontypool Changes Everything, Caesarea, Fiction for Lovers and Idaho Winter. Pontypool was made into a film by Bruce McDonald.
Genre: Fiction > General Fiction/Classics
Idaho Winter
Idaho Winter is a boy who, through no fault of his own, is loathed by everyone in the town where he lives – his father feeds him roadkill for breakfast, the crossing guard steers cars toward him as he crosses the road, and parents encourage their children to plot cruelly against him. Then he meets a young girl named Madison who empathizes with his suffering, opening a terrible world of pain in him. When Madison is attacked by dogs meant to harm Idaho, Idaho gets up and runs home, changing the course of the entire story.
Idaho soon learns that his suffering has been cruelly designed by a clumsy writer who has made his book meaner than all the others to make it stand out. With this information, Idaho locks the author in a closet and runs off, armed with the knowledge that the entire world is invented and that he now has the power to imagine it differently. When the author emerges from the closet and discovers that Idaho has made a mess of the novel, he sets out to find a cure to the story and bring its heart and mind together.
People Live Still in Cashtown Corners
Bob Clark owns the Self Serve in Cashtown Corners. It’s the only business there and Bob is the only resident. He’s never been comfortable around other people. Until he starts to kill them. And murder, Bob soon discovers, is magic. People Live Still in Cashtown Corners is Bob’s account of a tragedy we all thought was senseless.
Ravenna Gets
From the author of Pontypool Changes Everything, Ravenna Gets is a new collection of "wheeled" stories that continue the author’s exploration of "apocalypse action." In a single convulsion of homicide, the population of Ravenna tries to erase the population of Collingwood. The innocent, standing in their living rooms, cooking in their kitchens, and playing in their yards, are simply checked off by hunting ri?es or crossed out by farmers’ tools. There is one thing missing, however, as the bodies fall from what might have been better stories, better novels, and it’s this: everything.
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