3 Novels by Nicole Krauss
Requirements: ePub, 2.6 MB.
Overview: Nicole Krauss is the author of the international bestsellers Great House, a finalist for the National Book Award and the Orange Prize, and The History of Love, which won the William Saroyan International Prize for Writing, France’s Prix du Meilleur Livre Ėtranger, and was short-listed for the Orange, Médicis, and Femina prizes. Her first novel, Man Walks Into a Room, was a finalist for the Los Angeles Times Book Award for First Fiction. In 2007, she was selected as one of Granta’s Best Young American Novelists, and in 2010 The New Yorker named her one of the 20 best writers under 40. Her fiction has been published in The New Yorker, Harper’s, Esquire, and Best American Short Stories, and her books have been translated into more than thirty-five languages. She lives in Brooklyn, New York. 
Great House
Finalist for the 2010 National Book Award in Fiction: A powerful, soaring novel about a stolen desk that contains the secrets, and becomes the obsession, of the lives it passes through.
For twenty-five years, a reclusive American novelist has been writing at the desk she inherited from a young Chilean poet who disappeared at the hands of Pinochet’s secret police; one day a girl claiming to be the poet’s daughter arrives to take it away, sending the writer’s life reeling. Across the ocean, in the leafy suburbs of London, a man caring for his dying wife discovers, among her papers, a lock of hair that unravels a terrible secret. In Jerusalem, an antiques dealer slowly reassembles his father’s study, plundered by the Nazis in Budapest in 1944.
Connecting these stories is a desk of many drawers that exerts a power over those who possess it or have given it away. As the narrators of Great House make their confessions, the desk takes on more and more meaning, and comes finally to stand for all that has been taken from them, and all that binds them to what has disappeared.
Great House is a story haunted by questions: What do we pass on to our children and how do they absorb our dreams and losses? How do we respond to disappearance, destruction, and change?
Nicole Krauss has written a soaring, powerful novel about memory struggling to create a meaningful permanence in the face of inevitable loss.
The History of Love
The illuminating national bestseller: "Vertiginously exciting…vibrantly imagined….[Krauss is] a prodigious talent."—Janet Maslin, New York Times
A long-lost book reappears, mysteriously connecting an old man searching for his son and a girl seeking a cure for her widowed mother’s loneliness.
Leo Gursky is just about surviving, tapping his radiator each evening to let his upstairs neighbor know he’s still alive. But life wasn’t always like this: sixty years ago, in the Polish village where he was born, Leo fell in love and wrote a book. And though Leo doesn’t know it, that book survived, inspiring fabulous circumstances, even love. Fourteen-year-old Alma was named after a character in that very book. And although she has her hands full—keeping track of her brother, Bird (who thinks he might be the Messiah), and taking copious notes on How to Survive in the Wild—she undertakes an adventure to find her namesake and save her family. With consummate, spellbinding skill, Nicole Krauss gradually draws together their stories.
This extraordinary book was inspired by the author’s four grandparents and by a pantheon of authors whose work is haunted by loss—Bruno Schulz, Franz Kafka, Isaac Babel, and more. It is truly a history of love: a tale brimming with laughter, irony, passion, and soaring imaginative power.
Man Walks Into a Room
Nicole Krauss’s elegant, haunting debut, Man Walks into a Room, is a what-if novel. What if, asks Krauss, a man woke up one day and he’d forgotten everything he knows? Samson Greene is found lost in the desert near Las Vegas, memory-less thanks to a tumor "applying its arbitrary, pernicious pressure to his brain." Once the tumor is removed, he can remember his childhood up until his 12th year, but then all is blank. He returns to New York, to his wife Anna, to his life as a Columbia University English professor, but none of these things makes sense to him anymore: "Samson could dredge up no feeling for his own life but that of vague admiration." When he receives a call from a mysterious scientist inviting him back to the desert for a sinister-sounding memory experiment, Samson heads West with a kind of despondent fatalism. Krauss’s novel moves gracefully from exploration of a lost soul to science fiction to a meditation on memory. If the book unravels a bit at the end, it’s only because Krauss is trying to do too much–certainly no literary sin
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