3 Novels by Edna O’Brien
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Overview: Edna O’Brien (b. 1930), an award-winning Irish author of novels, plays, and short stories, has been hailed as one of the greatest chroniclers of the female experience in the twentieth century.
She is the 2011 recipient of the Frank O’Connor Prize, awarded for her short story collection Saints and Sinners. She has also received, among other honors, the Irish PEN Award for Literature, the Ulysses Medal from University College Dublin, and a lifetime achievement award from the Irish Literary Academy. Her 1960 debut novel, The Country Girl, was banned in her native Ireland for its groundbreaking depictions of female sexuality. Notable works also include August Is a Wicked Month (1965), A Pagan Place (1970), Lantern Slides (1990), and The Light of Evening (2006). O’Brien lives in London.
Genre: Fiction > General Fiction/Classics > Relationships
August Is a Wicked Month
Eschewing her stale life in London, one woman embarks on a journey of independence and sexual liberation on the French Riviera Separated from her husband, and with her young son away on a camping trip, Ellen decides to flee her lonely London home, naively pursuing “a jaunt into iniquity” along France’s Mediterranean coast. But will she find the escape she longs for, or the entrapment she so deeply fears? In August Is a Wicked Month, Edna O’Brien’s lyric, languid prose creates a character at once ordinary and mythic, struggling to forge her own path not as a wife, mother, mistress, or lover—but as simply, assuredly herself.
The Love Object: Stories
A collection of remarkable short stories by one of the twentieth century’s most acclaimed and prolific authors In this collection of eight stories, Edna O’Brien writes lyrically and passionately about women’s lives. In “Irish Revel,” young Mary yearns for the promise of a sweetheart to hold on to, as a hard life stretches out before her. In “The Rug,” a woman becomes consumed with her search for the sender of a mysterious gift. And in the title story, “The Love Object,” a successful television announcer struggles for emotional fulfillment through an affair with a married man. In each story, the objects of each woman’s affections vary, but all are masterfully bound together by their love and longing. At once heartrending and captivating, The Love Object is an unforgettable exploration of isolation and romantic obsession.
The Light of Evening
From her hospital bed in Dublin, the ailing Dilly Macready eagerly awaits a visit from her long-estranged daughter, Eleanora. Years before, Eleanora fled Ireland for London when her sensual first novel caused a local scandal. Eleanora’s peripatetic life since then has brought international fame but personal heartbreak in her failed quest for love. Always, her mother beseeches her to return home, sending letters that are priceless in their mix of love, guilt, and recrimination. For all her disapproval, Dilly herself knows something of Eleanora’s need for freedom: as a young woman in the 1920s, Dilly left Ireland for a new life in New York City. O’Brien’s marvelous cinematic portrait of New York in that era is a tour de force, filled with the clang and clatter of the city, the camaraderie of working girls against their callous employers, and their fierce competition over handsome young men. But a lover’s betrayal sent Dilly reeling back to Ireland to raise a family on a lovely old farm named Rusheen. It is Rusheen that still holds mother and daughter together.
Eleanora’s visit to her mother’s sickbed does not prove to be the glad reunion that Dilly prayed for. And in her hasty departure, Eleanora leaves behind a secret journal of their stormy relationship — a revelation that brings the novel to a shocking close.
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