3 Chief Inspector Erik Winter novels by Åke Edwardson (#5, #6, and #7)
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Overview: Åke Edwardson is one of Scandinavia’s most successful crime writers. He has won numerous awards, including the Swedish Academy of Crime Writers’ Award three times.
Genre: Scandinavian Crime Fiction
The Shadow Woman (#5): It’s August and the annual Gothenburg Party is in full swing. But this year the bacchanalian blowout is simmering with ethnic discord spurred by nativist gangs. When a woman is found murdered in the park-her identity as inscrutable as the blood-red symbol on the tree above her body-Winter’s search for her missing child leads him from sleek McMansions to the Gothenburg fringes, where "northern suburbs" is code for "outsider" and the past is inescapable-even for Sweden’s youngest chief inspector. Psychologically gripping and socially astute, The Shadow Woman puts this master of Swedish noir on track to build an American audience on par with his international fame.
Sail of Stone (#6): A brother and sister believe that their father has gone missing. They think he may have traveled in search of his father, who was presumed lost decades ago in World War II. Meanwhile, there are reports that a woman is being abused, but she can’t be found and her family won’t tell the police where she is. Two missing people and two very different families combine in this dynamic and suspenseful mystery by the Swedish master Åke Edwardson.
Gothenburg’s Chief Inspector Erik Winter travels to Scotland in search of the missing man, aided there by an old friend from Scotland Yard. Back in Gothenburg, Afro-Swedish detective Aneta Djanali discovers how badly someone doesn’t want her to find the missing woman when she herself is threatened. Sail of Stone is a brilliantly perceptive character study, acutely observed and skillfully written with an unerring sense of pace.
Room No. 10 (#7): A YOUNG WOMAN IS DISCOVERED hanged in a room in a decrepit hotel, and Gothenburg’s Chief Inspector Erik Winter must try to figure out what happened. As Winter looks around, he realizes that he was in the same hotel room many years earlier, when it was the last known location of a woman who subsequently disappeared and was never found. The two women seem to have nothing in common except for this hotel room, but Winter suspects that there may be other connections.
The young woman’s parents are bereft and unable to explain the puzzling contents of a note she left behind. Winter, however, senses that they are holding back some secret that might help him to find her murderer. As he pursues his hunch and digs into the old police report on the woman who disappeared—one of his first cases as a young detective—Winter becomes increasingly convinced that the two cases are somehow related. Room No. 10 is a first-rate thriller, suffused with the gray seaside beauty of Gothenburg and filled with the characters that Åke Edwardson’s readers have come to love: Winter, the veteran detective who veers between pessimism and optimism but never gives up; Bertil Ringmar, the methodical old-timer whose analytical mind keeps everyone focused; hotheaded Fredrik Halders, whose temper sometimes overwhelms his passion for justice; and Aneta Djanali, Halders’s girlfriend, an immigrant from Burkina Faso whose ability to talk to other women can open new leads. As compelling as they are dedicated, they are an unforgettable team determined to find a bizarre killer.
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