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Overview: SARAH HENSTRA is the author of The Red Word, which won the 2018 Governor General’s Literary Award for Fiction and was nominated for the Dublin International Literary Award. She is also author of the young adult novels Mad Miss Mimic, a CLA Best Book for Teens and a finalist for the Geoffrey Bilson Award for Historical Fiction for Young People, and We Contain Multitudes, which was the 2022 “Vermont Reads” program title and was nominated for the White Pine Award. Sarah has a PhD in English and is a professor at Toronto Metropolitan University.
Genre: Fiction > General Fiction/Classics, Historical
Mad Miss Mimic (2015)
It’s London, 1872, where 17-year-old heiress Leonora Somerville is preparing to be presented to upper upper-class society — again. She’s strikingly beautiful and going to be very rich, but Leo has a problem money can’t solve. A curious speech disorder causes her to stutter but also allows her to imitate other people’s voices flawlessly. Servants and ladies alike call her “Mad Miss Mimic” behind her back…and watch as Leo unintentionally scares off one potential husband after another. London is also a city gripped by opium fever. Leo’s brother-in-law Dr. Dewhurst and his new business partner Francis Thornfax are frontrunners in the race to patent an injectable formula of the drug. Friendly, forthright, and as a bonus devastatingly handsome, Thornfax seems immune to the gossip about Leo’s “madness.” But their courtship is endangered from the start. The mysterious Black Glove opium gang is setting off explosions across the city. The street urchins Dr. Dewhurst treats are dying of overdose. And then there is Tom Rampling, the working-class boy Leo can’t seem to get off her mind. As the violence closes in around her Leo must find the links between the Black Glove’s attacks, Tom’s criminal past, the doctor’s dangerous cure, and Thornfax’s political ambitions. But first she must find her voice.
The Red Word (2018)
A smart, dark, and take-no-prisoners look at rape culture and the extremes to which ideology can go, The Red Word is a campus novel like no other. As her sophomore year begins, Karen enters into the back-to-school revelry—particularly at a fraternity called GBC. When she wakes up one morning on the lawn of Raghurst, a house of radical feminists, she gets a crash course in the state of feminist activism on campus. GBC is notorious, she learns, nicknamed “Gang Bang Central” and a prominent contributor to a list of date rapists compiled by female students. Despite continuing to party there and dating one of the brothers, Karen is equally seduced by the intellectual stimulation and indomitable spirit of the Raghurst women, who surprise her by wanting her as a housemate and recruiting her into the upper-level class of a charismatic feminist mythology scholar they all adore. As Karen finds herself caught between two increasingly polarized camps, ringleader housemate Dyann believes she has hit on the perfect way to expose and bring down the fraternity as a symbol of rape culture—but the war between the houses will exact a terrible price.
The Red Word captures beautifully the feverish binarism of campus politics and the headlong rush of youth toward new friends, lovers, and life-altering ideas. With strains of Jeffrey Eugenides’s The Marriage Plot, Alison Lurie’s Truth and Consequences, and Tom Wolfe’s I Am Charlotte Simmons, Sarah Henstra’s debut adult novel arrives on the wings of furies.
The Lost Tarot (2024)
A legendary set of tarot cards is the key to unravelling decades of secrets in this dazzling novel about art and deception, from Governor General’s Literary Award–winning author Sarah Henstra.
Theresa Bateman, a struggling junior art historian in Toronto, receives a single tarot card in the mail. The image is unmistakably the work of celebrated avant-garde artist Lark Ringold, and its discovery would mean a breakthrough in Theresa’s career. But the legendary Ringold Tarot doesn’t exist. . . . Its paintings were lost in a fire that claimed Lark’s life along with dozens of others—the final, horrific implosion of a notorious cult called the Shown.
Sixty years earlier in England, Lark and his twin sister Nell join a bohemian commune led by their charismatic uncle. While Lark settles happily into his work on the tarot project to aid in his uncle’s occult teachings, Nell finds it harder to adjust. Just beneath the Shown’s golden surface she uncovers secrets that, if revealed, threaten to erupt into chaos.
Why was the tarot card sent to Theresa? How can she prove its connection to Ringold when her art-world superiors declare it a fake? And who has been holding onto it for all these years—and why? As Theresa follows the trail of the lost tarot, she is drawn into the deeply entwined mysteries of Nell, Lark and the Shown. What begins as the tale of one artist and the battle over his legacy unspools into a web of passion, violence and deceit. In twist after startling twist, and in vibrant, exquisite prose, The Lost Tarot is a landmark novel about love, creativity, power and perception.
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