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Overview: Leah Hager Cohen is the author of five works of nonfiction, including Train Go Sorry, and five novels, including The Grief of Others, which was longlisted for the Orange Prize and the IMPAC Dublin Literary Award and was a finalist for the Dayton Literary Peace Prize. Her latest novel, Strangers and Cousins, was published in 2019 and named one of the ten best books of that year by The Washington Post. She is the Barrett Professor of Creative Writing at the College of the Holy Cross.
Genre: Fiction > General Fiction/Classics
House Lights (2007)
Late in her twentieth year, Beatrice mails a letter on the sly, sparking events that will change her life forever. The addressee is her grandmother, a legendary stage actress long estranged from her daughter, Bea’s mother. Though Bea wants to become an actress herself, it is the desire to understand the old family rift that drives her to work her way into her grandmother’s graces.
But just as she establishes a precarious foothold in her grandmother’s world, Bea’s elite Boston home life begins to crumble. Her beloved father is accused of harassment by one of his graduate students; her usually serene, self-certain mother shows signs of fallibility. And Bea is falling in love with someone many would consider inappropriate.
Powerfully written and psychologically intricate, House Lights illuminates the corrosive power of family secrets, and the redemptive struggle to find truth, forgiveness, and love.
The Grief of Others (2011)
The subtly powerful novel adapted into the 2015 feature film, The Grief of Others asks: is keeping a secret from a spouse always an act of infidelity? And what cost does such a secret exact on a family?
The Ryries have suffered a loss: the death of a baby just fifty-seven hours after his birth. Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. Struggling to regain a semblance of normalcy for themselves and for their two older children, they find themselves pretending not only that little has changed, but that their marriage, their family, have always been intact, that the loss of a child had no lasting impact. Yet in the aftermath, long-suppressed uncertainties about their relationship come roiling to the surface. A dreadful secret emerges with reverberations that reach far into their past and threaten their future.
The couple’s children, ten-year-old Biscuit and thirteen-year-old Paul, responding to the unnamed tensions around them, begin to act out in exquisitely—perhaps courageously—idiosyncratic ways. But as the four family members scatter into private, isolating grief, an unexpected visitor arrives, and they all find themselves growing more alert to the sadness and burdens of others—to the grief that is part of every human life but that also carries within it the power to draw us together.
Moving, psychologically acute, and gorgeously written, The Grief of Others asks how we balance personal autonomy with the intimacy of relationships, how we balance private decisions with the obligations of belonging to a family, and how we take measure of our own sorrows in a world rife with suffering. This novel shows how one family, by finally allowing itself to experience the shared quality of grief, is able to rekindle tenderness and hope and are able to overcome their grief.
No Book But the World (2014)
A lush, gripping, psychologically complex novel that asks: How much do siblings owe one another?
At the edge of a woods, on the grounds of a defunct “free school,” Ava and her brother, Fred, share a dreamy and seemingly idyllic childhood—a world defined largely by their imaginations, a celebration of curiosity and the natural environment, and each other’s presence. Their parents, progressive educators, believe passionately that children develop best without formal instruction or societal constraint. Everyone is aware of Fred’s oddness—the word “autism” is whispered—but his parents’ fierce disapproval of labels keeps him free of clinical evaluation, diagnosis, or intervention, and constantly at Ava’s side.
Decades later, Fred is arrested for a shocking crime, and Ava is frantic to piece together the story of what actually happened. A boy is dead. Fred is held in a county jail. But could he really have done what he’s accused of? By now their parents are long gone, and the siblings have fallen out of touch, which causes Ava considerable guilt. Who is left to reach Fred? To explain him and his innocence to the world? Convinced that she alone can ensure he is regarded with sympathy, Ava tells their enthralling story.
A writer of enormous craft, Leah Hager Cohen brings her trademark intelligence and storytelling to a psychologically gripping, richly ambiguous novel that suggests we may ultimately understand one another best not with facts alone, but through our imaginations.
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