3 books by Lance Olsen
Requirements: Epub reader/Mobi reader, 2.90 Mb
Overview: Lance Olsen was born in 1956 and received his B.A. from the University of Wisconsin (1978, honors), his M.F.A. from the Iowa Writers Workshop (1980), and his M.A. (1982) and Ph.D. (1985) from the University of Virginia.
He is author of eleven novels, one hypertext, four critical studies, four short-story collections, a poetry chapbook, and a textbook about fiction writing, as well as editor of two collections of essays about innovative contemporary fiction. His short stories, essays, poems, and reviews have appeared in hundreds of journals, magazines, and anthologies, including Conjunctions, Black Warrior Review, Fiction International, Iowa Review, Hotel Amerika, Village Voice, Time Out New York, BOMB, Gulf Coast, McSweeney’s, and Best American Non-Required Reading.
Genre: General Fiction, Literature
10: 01
You’re sitting in a darkened theater, waiting for the movie to begin when American culture explodes all around in I-Max, Sensurround, Technicolor–this is the experience of reading Lance Olsen’s brilliant 10:01, a novel in frames that unreels the random thoughts of a random movie audience: a screening of our own moment that Olsen lights with the white heat of a a projector beam.
Girl Imagined by Chance
Girl Imagined by Chance is a critifictional novel about a couple who find themselves having created a make-believe daughter (and soon a make-believe life to accompany her) in order to appease their friends, family, and the culture of reproduction. Structured around twelve photographs from a single roll of film, the book explores the nature of photography and the questions that nature raises about the notions of the simulated and the real, the media-ization of consciouness, originality, self construction, and the way we all continually fashion our faces into masks for the next shot. At its heart, Girl Imagined by Chance investigates the mystery of self-knowledge. The prevailing metaphor and structural device of photograpy examines the way images, in their magical ability to mimic memory, ultimately mock and eradicate it. The seemigly stable and fixed individual past turns out to be as protean and unknowable as the future. The body becomes strangely dispensable, perpetually adrift in a cybernetic world of hyperlinks and interfaces.
Head in Flames
HEAD IN FLAMES is an astonishing collage novel composed of chips of sensation, observation, memory, and quotation shaped into a series of narraticules told by three alternating voices, each inhabiting a different font and aesthetic / political / existential space.The first belongs to Vincent van Gogh on the day he shot himself in Auvers-sur-Oise in July 1890. The second to Theo van Gogh (Vincent’s brother s great grandson) on the day he was assassinated in Amsterdam in November 2004. The third to Mohammed Bouyeri, Theo’s murderer, outraged by the filmmaker’s collaboration with controversial politician Ayaan Hirsi Ali on a 10-minute experimental short critiquing Muslim subjugation and abuse of women. The aggregate: a restless, haunting exploration of art’s purpose, religion’s increasingly dominant role as engine of politics and passion, the complexities of foreignness and assimilation, and the limits of tolerance.
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