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Overview: Jenny Ackland is a writer from Melbourne. Her debut book was The Secret Son (2015), a novel about truth, history and what it means to be a good man. Her second novel Little Gods (2018) is about girlhood and the mess of family, and was shortlisted for the Stella Prize in 2019.
Genre: Fiction > General Fiction/Classics
The Secret Son (2015)
An Australian historian determined to find the truth, a stolen inheritance, a wishing tree, a long-lost grandmother, and an unlikely sweetheart come together in a dazzlingly original, audacious and exhilarating novel about love, honour and belonging, and what it means to be a good person.
I know that two men are coming up the mountain, at this moment, including the boy from far away. I wonder what my grandson’s face will look like.This is a boy in the skin of a man. I know the boy is innocent, that it’s his family soul which is guilty.
An old woman sits waiting in a village that clings to a Turkish mountainside, where the women weave rugs, make tea and keep blood secrets that span generations. Berna can see what others cannot, so her secrets are deeper and darker than most. It is time for her to tell her story, even though the man for whom her words are meant won’t hear them. It is time for the truth to be told.
Nearly a hundred years before, her father James had come to the village on the back of a donkey, gravely ill, rescued from the abandoned trenches of Gallipoli by a Turkish boy whose life he had earlier spared. James made his life there, never returning to Australia and never realising that his own father was indeed the near-mythical bushranger that the gossips had hinted at when he’d been a boy growing up in Beechworth.
Now, as Berna waits, a young man from Melbourne approaches to visit his parents’ village, against the vehement opposition of his cursed, tight-lipped grandfather. What is the astonishing story behind the dark deeds that connect the two men, unknown to each other and living almost a century apart?
The Secret Son is a remarkable debut, a dazzlingly original, audacious and exhilarating novel. At once joyous and haunting, it is a moving meditation on love, honour and belonging, as well as a story about the strength of women and what it means to be a good man.
Little Gods (2018)
A rare, original and stunning novel about a remarkable girl who learns the hard way that the truth doesn’t always set you free – with echoes of Jasper Jones, Seven Little Australians and Cloudstreet.
As a child, trapped in the savage act of growing up, Olive had sensed she was at the middle of something, so close to the nucleus she could almost touch it with her tongue. But like looking at her own nose for too long, everything became blurry and she had to pull away. She’d reached for happiness as a child not yet knowing that the memories she was concocting would become deceptive. That memories get you where they want you not the other way around.
The setting is the Mallee, wide flat scrubland in north-western Victoria, country where men are bred quiet, women stoic and the gothic is never far away. Olive Lovelock has just turned twelve. She is smart, fanciful and brave and on the cusp of something darker than the small world she has known her entire life.
She knows that adults aren’t very good at keeping secrets and makes it her mission to uncover as many as she can. When she learns that she once had a baby sister who died – a child unacknowledged by her close but challenging family – Olive becomes convinced it was murder. Her obsession with the mystery and relentless quest to find out what happened have seismic repercussions for the rest of her family and their community. As everything starts to change, it is Olive herself who has the most to lose as the secrets she unearths multiply and take on complicated lives of their own.
Little Gods is a novel about the mess of family, about vengeance and innocence lost. It explores resilience and girlhood and questions how families live with all of their complexities and contradictions. Resonating with echoes of great Australian novels like Seven Little Australians, Cloudstreet, and Jasper Jones, Little Gods is told with similar idiosyncrasy, insight and style. Funny and heartbreaking, this is a rare and original novel about a remarkable girl who learns the hard way that the truth doesn’t always set you free.
Hurdy Gurdy (2024)
A powerful and important novel with a crucial and timely feminist message, from the Stella Prize-shortlisted author of Little Gods.
She tells me to sit down, that she has something I need to hear and it’s that they don’t cut hair or set curls. Well, we do, she says, but not always. We help them with a problem. We make it go away.
In a near-future Australia, the world has changed. A small circus caravan travels the countryside performing for dwindling audiences. Matriarch Queenie works outside the law, helped by high-diver Win, nineteen and yearning for love. By night, they gather under the dark sky, joined by philosophical clown Valentina, and Girl, who they found at the side of the road. By day, they offer other services: hairdressing for women and a close shave for men. But while women come to them for help, men tend to disappear.
And in the distance, a reverend and his nun-like companion preach against alcohol, adultery and abortion. Two groups on an ideological collision course in a landscape altered by time and human error, while overhead a space mission has gone wrong.
Hurdy Gurdy sits alongside classics like The Handmaid’s Tale, Station Eleven and The Natural Way of Things, and is a provocation, both compelling and haunting. It’s a feminist revenge tale about the choices that women have to make, and it asks the big questions: Can beauty be found in times of great darkness? How do we go on?
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