3 books by Boualem Sansal
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Overview: Boualem Sansal is an Algerian author. In 2012, he was named winner of the Prix du roman arabe, but the prize money was withdrawn due to Sansal’s visit to Israel to speak at the Jerusalem Writers Festival.
He began writing novels at the age of 50 after retiring from his job as a high-ranking official in the Algerian government. The assassination of President Mohamed Boudiaf in 1992 and the rise of Islamic fundamentalism in Algeria inspired him to write about his country. Sansal continues to live with his wife and two daughters in Algeria despite the controversy his books have aroused in his homeland. At the 2007 International Festival of Literature in Berlin, he was introduced as a writer "exiled in his own country. " He claims that Algeria is becoming a bastion of Islamic extremism and the country is losing its intellectual and moral underpinnings.
Genre: Fiction/Historical Fiction/Classics
The German Mujahid (trans. Frank Wynne)
The two brothers Schiller, Rachel and Malrich, couldn’t be more dissimilar. They were born in a small village in Algeria to a German father and an Algerian mother, and raised by an elderly uncle in one of the toughest ghettos in France. But there the similarities end. Rachel is a model immigrant – hard working, upstanding, law-abiding. Malrich has drifted. Increasingly alienated and angry, his future seems certain: incarceration at best. Then Islamic fundamentalists murder the young men’s parents in Algeria and the event transforms the destinies of both brothers in unexpected ways. Rachel discovers the shocking truth about his family and buckles under the weight of the sins of his father, a former SS officer. Now Malrich, the outcast, will have to face that same awful truth alone.
Banned in the author’s native Algeria for of the frankness with which it confronts several explosive themes, The German Mujahid is a truly groundbreaking novel. For the first time, an Arab author directly addresses the moral implications of the Shoah. But this richly plotted novel also leaves its author room enough to address other equally controversial issues; Islamic fundamentalism and Algeria’s "dirty war" of the early 1990s, for example or the emergence of grim Muslim ghettos in France’s low-income housing project.
Harraga (trans. Frank Wynne)
In a crumbling colonial mansion besieged by slums in the old quarter of Algiers, Lamia lives a life of self-imposed isolation, communing only with her ghosts by day, working as a paediatrician by day. Her family are dead, but for her beloved brother Sofiane, who has become a harraga – one of those who risk their lives attempting to flee the country for a better life in Europe/elsewhere. Lamia’s tranquil, ordered existence is turned upside-down when a sixteen-year-old stranger knocks on her door in the middle of the night. Only because she has been sent by Sofiane, Lamia takes the girl in. Pregnant, unmarried and dressed in garish finery like an X-Factor contestant, Chérifa is talkative, curiously innocent, and utterly unafraid. She enters the house like a whirlwind, and leaves a trail of destruction in her wake. Lamia must try to teach her, to protect her against a world where a woman who is not meek, subservient, married is an affront, where a girl who is pregnant can be killed to spare her family’s honour.
2084: The End of the World (trans. Alison Anderson)
A tribute to George Orwell’s 1984 and a cry of protest against totalitarianism of all kinds, Sansal’s 2084 tells the story of a near future in which religious extremists have established an oppressive caliphate where autonomous thought is forbidden.
In the kingdom of Abistan—named after the prophet Abi, earthly messenger of the god Yolah—citizens submit to a single god, demonstrating their devotion by kneeling in prayer nine times a day. Autonomous thought has been banned, remembering is forbidden, and an omnipresent surveillance system instantly informs the authorities of every deviant act, thought, or idea. The kingdom is blessed and its citizens are happy, filled with a sense of purpose and piety. Those who are not—the heretics—are put to death by stoning or beheading in city squares. But Ati has met people who think differently; in ghettos and caves, hidden from the authorities, exist the last living heretics and free-thinkers of Abistan. Under their influence, Ati begins to doubt. He begins to think. Now, he will have to defend his thoughts with his life.
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