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Overview: Norman Rush (b. 1933) is an American writer most of whose introspective novels and short stories are set in Botswana in the 1980s. He won the U.S. National Book Award and the 1992 Irish Times/Aer Lingus International Fiction Prize for his novel Mating.
Genre: Fiction > General Fiction / Classics
Mating
The narrator of this splendidly expansive novel of high intellect and grand passion is an American anthropologist at loose ends in the South African republic of Botswana. She has a noble and exacting mind, a good waist, and a busted thesis project. She also has a yen for Nelson Denoon, a charismatic intellectual who is rumored to have founded a secretive and unorthodox utopian society in a remote corner of the Kalahari—one in which he is virtually the only man. What ensues is both a quest and an exuberant comedy of manners, a book that explores the deepest canyons of eros even as it asks large questions about the good society, the geopolitics of poverty, and the baffling mystery of what men and women really want.
Subtle Bodies
When Douglas, the ringleader of a clique of self-styled wits of “superior sensibility” dies suddenly, his four remaining friends are summoned to his luxe estate high in the Catskills to memorialize his life and mourn his passing. Responding to an obscure sense of emergency in the call, Ned, our hero, flies in from San Francisco (where he is the main organizer of a march against the impending Iraq war), pursued instantly by his furious wife, they’re at a critical point in their attempt to get Nina pregnant, and she’s ovulating! It is Nina who gives us a pointed, irreverent commentary as the friends begin to catch up with one another. She is not above poking fun at some of their past exploits and the things they held dear, and she’s particularly hard on the departed Douglas, who she thinks undervalued her Ned. Ned is trying manfully to discern what it was that made this clutch of souls his friends to begin with, before time, sex, work, and the brutal quirks of history shaped them into who they are now––and, simultaneously, to guess at what will come next.
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