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Overview: Ceridwen Dovey is a writer based in Sydney. She’s the author of several acclaimed works of fiction (Blood Kin, Only the Animals, In the Garden of the Fugitives, Life After Truth, Once More With Feeling) and non-fiction (On J.M. Coetzee: Writers on Writers and Inner Worlds Outer Spaces: The Working Lives of Others). Her non-fiction essays have been published by newyorker.com, the Smithsonian Magazine, WIRED, Vogue, the Monthly and Alexander, among many others. She’s the recipient of an Australian Museum Eureka Award, and the 2020 & 2021 UNSW Press Bragg Prize for science writing. Her latest book is Mothertongues, a work of literary fiction co-authored with Eliza Bell, and including original songs by Australian songwriter Keppie Coutts.
Genre: Fiction > General Fiction/Classics, Short stories
Only the Animals (2015)
Perhaps only the animals can tell us what it is to be human.
The souls of ten animals caught up in human conflicts over the last century tell their astonishing stories of life and death. In a trench on the Western Front a cat recalls her owner Colette’s theatrical antics in Paris. In Nazi Germany a dog seeks enlightenment. A Russian tortoise once owned by the Tolstoys drifts in space during the Cold War. In the siege of Sarajevo a bear starving to death tells a fairytale. And a dolphin sent to Iraq by the US Navy writes a letter to Sylvia Plath . . .
Exquisitely written, playful and poignant, Only the Animals is a remarkable literary achievement by one of our brightest young writers. An animal’s-eye view of humans at our brutal, violent worst and our creative, imaginative best, it asks us to find our way back to empathy not only for animals, but for other people, and to believe again in the redemptive power of reading and writing fiction.
Only the Astronauts (2024)
A transformative new collection from the award-winning author of Only the Animals.
Adrift in outer space, a motley crew of human-made objects tell their tales, making real history sweeter and stranger.
Starman, a lovelorn mannequin orbiting the Sun in his cherry-red car, pines for his creator. The first sculpture ever taken to the Moon is possessed by the spirit of Neil Armstrong. The International Space Station, awaiting deorbit and burial in a spacecraft cemetery beneath the ocean, farewells its last astronauts. A team of tamponauts sets off on a perilous mission to Mars inspired by the courage of their predecessors. The Voyager 1 space probe – carrying its precious Golden Record – is captured by Oortians near the edge of the solar system and drawn into their baroque, glimmering rituals.
By turns joyous and mournful, these object-astronauts are not high priests of the universe but something a little . . . weirder. From their inverted perspectives, they observe humans both intimately and from a great distance, bearing witness to a civilisation unable to live up to its own ideals. And yet each still finds in our planet – in their humans – something worthy of love.
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