Download 2 books by Victor Koman (.ePUB)

2 books by Victor Koman
Requirements: ePUB Reader, 720 kb
Overview: Victor Koman (born 1954) is an American science fiction and fantasy writer and agorist. A three time winner of the Prometheus Award, Koman is mainly popular in the libertarian community. He is the owner of the publishing house KoPubCo. His Ph.D. in Information Technology was conferred by Capella University in 2016. He also possesses a BSIS (with honors, summa cum laude) from University of Redlands (2001) and an MBA from Pepperdine University (2004).
Dr. Koman’s short stories have appeared in such publications as The Magazine of Fantasy & Science Fiction, Galaxy Science Fiction, and the anthologies Weird Menace, The King is Dead: Tales of Elvis Post-Mortem, the second and third Dark Destiny collections set in the White Wolf World of Darkness, and the libertarian short-story collection Free Space.
In the early 1980s, Koman collaborated with Andrew J. Offutt on Offutt’s Spaceways series for Playboy Press (which was sold to Berkley Books in mid-stride). Koman wrote two novels in the series, to which Offutt added his own scenes, then edited and published the novels under the series name "John Cleve". These paperbacks are long out of print. Covers for both novels were painted by Ken Barr.
Dr. Koman has also appeared as an extra in several films, including Star Trek: The Motion Picture, CyberZone, Rapid Assault, Fugitive Rage, Mom’s Outta Sight, Billy Frankenstein, KidWitch (in which his daughter, Vanessa Koman, played the title role), Red Dragon (film), The Hot Chick, and A-List (film). On 11/15/1998, he was the winner on the game show Inquizition.
Dr. Koman has made available the body of work of Samuel Edward Konkin III through KoPubCo. He is the pseudonymous author of the Gloamingerism pamphlets published as afterwords in the 1999 trade paperback edition of J. Neil Schulman’s novel Alongside Night.

Genre: Sci-Fi/Fantasy

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Death’s Dimensions: A Psychotic Space Opera: Based on his Galaxy Magazine short story, Death’s Dimensions tells the tale of a stunningly unusual and startlingly original hero worthy of the New Wave novels of Norman Spinrad or Robert Silverberg.His death wish exceeded that of any other mortal. Only his lust for oblivion gave him the strength to survive the Valliardi Transfer, the key to the Universe.He was Virgil Grissom Kinney, and he was insane beyond hope.Caged and bound in a madhouse she found him. She rescued him, reprogrammed him, forged him into a test pilot, then abandoned him to the trackless stars.She was Delia Trine, his angel of Death.She filled him with the memories of a man already dead. When that man lived again inside Virgil, she tried to shatter their souls, to possess both her dead lover and her lover of death. But the dead man inside Virgil would stop at nothing for a chance to live again.The Universe was their ballroom, madness their song, and death the dance they danced.

The Jehovah Contract: A dying assassin is given one last assignment and one last chance for survival. The job: to find God Almighty and destroy Him. The payment: eternal life. With the aid of a beautiful lady gambler, an ancient Hollywood witch, and a telepathic smartass of a girl, Dell Ammo breaches the gates of Heaven and Hell to pull the Cosmic Trigger. Self-consciously styled after a hard-boiled detective novel, this is a most unusual and entertaining work of satirical SF. An assassin by trade, Dell Ammo works in a bombed-out section of Los Angeles that has been irradiated by a nuclear explosion. Terminally ill, Ammo is offered immortality by a millionaire evangelist if he will do one job: kill God. Accepting the assignment, Ammo embarks on a bizarre hunt through postnuclear L.A., assisted by Ann Perrine, a woman claiming to be an accountant but whose skills are considerably more interesting, and a nymphet with powerful, sexually telepathic abilities. In his search for God, Ammo encounters a powerful group of clerics eager to protect God, the source of their power, whether he exists or not. In other hands this could be pretentiously silly, but Koman carries it off with wit and energy.

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