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Overview: Edward Carey is a novelist, visual artist, and playwright. His previous novels include The Swallowed Man, Little, Alva & Irva, and Observatory Mansions, and an acclaimed series for young adults, the Iremonger Trilogy. His writing for the stage includes an adaptation of Robert Coover’s Pinocchio in Venice, a continuation of the Pinocchio story. Born in England, he now teaches at the University of Texas in Austin, where he lives with his wife, the author Elizabeth McCracken, and their family.
Genre: Fiction > General Fiction/Classics
Observatory Mansions (2000)
Once the Orme family’s magnificent ancestral estate, Observatory Mansions is now a crumbling apartment complex, home to an eccentric group of misfits. One of them is Francis Orme, who earns his livelihood as a living statue. When not practicing “inner and outer stillness,” Francis steals the cherished possessions of others to add to his private museum. The other tenants are equally as odd: his mother and father, who haven’t interacted in years; a man who continually sweats and cries; a recluse who prefers television to reality; and a woman who behaves like a dog. When Anna Tapp arrives among them she stirs their souls, bringing long forgotten memories to the surface–and arousing fears that this new resident intends to provoke a metamorphosis.
Reminiscent of Beckett, Ionesco, and Millhauser but startlingly original, Observatory Mansions is also unexpectedly beguiling. Upon its publication in England, it was a literary sensation, and John Fowles called it “easily the most brilliant fiction I’ve seen this year.”
Alva and Irva (2003)
A fairy tale for our times about the worlds we inhabit and the worlds we contain, from the astonishing new voice who introduced us to the strange and marvellous world of Observatory Mansions.
Alva and Irva Dapps are identical twin sisters. They live in the city of Entralla, not a place you are likely to have visited. Alva is by nature an explorer; she longs to travel the world. Irva is a recluse, for whom a step outside the house is an ordeal. But the twins belong together — they feel each other’s feelings, think each other’s thoughts, suffer together, love together and hate together — they cannot survive without each other.
Since childhood, the twins have built fantastical cities of Plasticine. But when Irva finally refuses to leave the house at all, the major work of their lives begins. Alva, attempting to return Irva to life, brings the city of Entralla into their home; she wanders its streets, observing, taking notes, measuring, and reports her findings to Irva, who painstakingly constructs a miniature Entralla of Plasticine. And the model city comes to serve Entralla in a way its creators could never have imagined.
In Alva & Irva, Edward Carey takes the reader on an enchanting journey through a city of the imagination, with unforgettable heroines whose conflicting desires contain the seeds of both their destruction and their salvation.
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