2 books by Edie Meidav
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Overview: KINGDOM OF THE YOUNG, Kirkus in a starred review calls it a "penetrating collection that glides among an impressive breadth of storytelling modes with warmth and easy brilliance." Called an "American original" by The Daily Beast, Edie Meidav is also the author of LOLA, CALIFORNIA (FSG), CRAWL SPACE (FSG), and THE FAR FIELD: A NOVEL OF CEYLON. Winner of a Lannan Fellowship, a Howard Fellowship, the Kafka Prize for Fiction by an American Woman, the Bard Fiction Prize, her books called editorial picks by multiple newspapers, she teaches in the UMass Amherst MFA.
Genre: Literary Fiction
Lola, California
The year is 2008, the place California. Vic Mahler, famous for having inspired cult followers in the seventies, serves time on death row, now facing a countdown of ten days. For years, his daughter, Lana, has been in hiding. Meanwhile, her friend Rose, a lawyer, is determined to bring the two together.
When Rose succeeds in tracking down Lana at a California health spa, the two friends must negotiate land mines of memory in order to find their future. In sharp episodes infused with pathos and wit, Edie Meidav brings her acclaimed insight and poetry to friendship, parenthood, dystopia, and the legacy of the seventies.
Lola, California speaks to our contemporary crisis of faith, asking: can we survive too much choice?
Kingdom of the Young
The dynamic characters in Kingdom of the Young are searching: for adventure, work, love, absolution, better chances elsewhere. In a symphonic stream of consciousness, a fanatical child army loses faith in its commander as he ages unforgivably into his thirties. A woman possessed with wanderlust and a small inheritance seeks love among the cave-dwelling Roma in Granada. Traumatized war veterans run local rackets; smarmy bureaucrats rise through the ranks of repressive regimes; civilians attempt to escape the stranglehold of life under dictatorships. From the honeycombed caves outside the Alhambra to the streets of Havana, from hospital wards to quinceañera parties, these stories—along with the collection’s illuminating nonfiction coda—testify to Meidav’s vast imaginative range.
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