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Overview: Catherine Leroux is the author of three highly praised novels and an innovative sequence of short stories. Her first novel, La marche en forêt (2011), was a finalist for Quebec’s Booksellers’ Prize. Her bestselling second novel, The Party Wall, a translation of Le mur mitoyen, won the France–Quebec Prize in the original and, in translation, was a finalist for the Scotiabank Giller Prize and the Dublin IMPAC Award. In the United States, The Party Wall was a prestigious Indies Introduce selection. Leroux’s story sequence, Madame Victoria, won Quebec’s Adrienne Choquette Prize and was a finalist for the Booksellers’ Prize. The French original of The Future (L’avenir) won the Jacques Brossard Prize and was a finalist for the Imaginary Horizons Prize. Catherine Leroux works as a translator and editor in Montreal. She was awarded the 2019 Governor General’s Literary Award for Translation.
Genre: Fiction > General Fiction/Classics
The Party Wall (2016)
Winner of the Governor General’s Literary Award for Translation • Shortlisted for the 2016 Giller Prize • Selected for Indies Introduce Summer/Fall 2016 • Winner of the Prestigious France-Quebec Prize • Nominated for the Quebec Bookseller’s Prize
Catherine Leroux’s The Party Wall shifts between and ties together stories about pairs joined in surprising ways. A woman learns that she may not be the biological mother of her own son despite having given birth to him; a brother and sister unite, as their mother dies, to search for their long-lost father; two young sisters take a detour home, unaware of the tragedy that awaits; and a political couple—when the husband accedes to power in a post-apocalyptic future state—is shaken by the revelation of their own shared, if equally unknown, history.
Lyrical, intelligent, and profound, The Party Wall is luminously human, a surreally unforgettable journey through the barriers that can both separate us and bring us together.
Madame Victoria (2018)
In 2001, a woman’s skeleton was found in the woods overlooking Montreal’s Royal Victoria Hospital. Despite an audit of the hospital’s patient records, a forensic reconstruction of the woman’s face, missing-person appeals, and DNA tests that revealed not only where she had lived, but how she ate, the woman was never identified. Assigned the name Madame Victoria, her remains were placed in a box in an evidence room and, eventually, forgotten.
But not by Catherine Leroux, who constructs in her form-bending Madame Victoria twelve different histories for the unknown woman. Like musical variations repeating a theme, each Victoria meets her end only after Leroux resurrects her, replacing the anonymous circumstances of her death with a vivid re-imagining of her possible lives. And in doing so, Madame Victoria becomes much more than the story of one unknown and unnamed woman: it becomes a celebration of the lives and legacies of unknown women everywhere.
By turns elegiac, playful, poignant, and tragic, Madame Victoria is an unforgettable book about the complexities of individual lives and the familiar ways in which they overlap.
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